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Sin otoño, sin primavera (2012)

| Drama | 2012 (Ecuador)
The portrait of an invisible generation. A punk ballad told from the point of view of 10 youngsters with stories that interconnect, not with their destinies but with their concepts: the ... See full summary »


Iván Mora Manzano
2 nominations. See more awards »


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Credited cast:
Enzo Macchiavello Enzo Macchiavello ... Lucas
Andres Troya Holst Andres Troya Holst ... Martin
Paola Baldion ... Gloria
Alejandro Fajardo Alejandro Fajardo ... Rafa
Lucía Moscoso Lucía Moscoso ... Ana
Andrea Espinoza Andrea Espinoza ... Sofía
Nathalie Vergara Nathalie Vergara ... Aleja
Andrés Crespo Andrés Crespo ... Juez Neira
Rest of cast listed alphabetically:
Victor Arauz Victor Arauz ... Enternado
Felipe Crespo Felipe Crespo ... Asistente en concierto
Fran Febres-Cordero Fran Febres-Cordero ... Street sweeper
Paulina Obrist Paulina Obrist ... Antonia
Angela Peñaherrera Angela Peñaherrera ... Paula
Monserrat Serra Monserrat Serra ... Mamá de Paula


The portrait of an invisible generation. A punk ballad told from the point of view of 10 youngsters with stories that interconnect, not with their destinies but with their concepts: the trip as a way of reinvention, questioning happiness and the system, evasion, moral limits, madness, decadence and love. Written by Iván Mora Manzano

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Ecuador | Colombia | France



Release Date:

2012 (Ecuador) See more »

Also Known As:

No Autumn, No Spring See more »

Filming Locations:

Guayaquil, Ecuador


Box Office


$670,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs




Aspect Ratio:

2.35 : 1
See full technical specs »

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User Reviews

This may not be the best movie Ecuador has ever done but is a good try
14 October 2012 | by jonydelaSee all my reviews

Filled with Latin-American clichés and an screenplay some people may find funny and some foreign audience may not understand it all. Stills a good try to revive Ecuadorian's cinema. Some performances are good but they fail to be alive because of the little screen time they are given. The big problem here is that there are so many characters the writer fails to develop any of them often giving hints of what could happened, what happened and what will happen but never allowing the audience to feel connected to any of them, the only exception may be Paulina Obrist who literally bares herself to the point her emotions make you feel like being in a roller-coaster and make you miss her when she's off the screen, a true revelation. The techs are good, a very well improvement for this third-world cinema which's just starting to grow. Overall a very good conceived idea with a disappointed ending that will left audience wondering what happened during the last two hours but that will make people recover faith on national's filmmaking.

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