A seedy bar owner hires a mysterious Croatian to commit murder, but a planned double-crossing backfires when a young waitress is taken hostage. A suspenseful, yet darkly humorous chain of events builds to a bloodcurdling climax.
En Cornouailles, dans une Bretagne de dunes et docéan vit Martin, 25 ans. Beau garçon, très sauvage, souvent seul et à lair libre, il sy entend comme personne pour attraper des mulets à la ... See full synopsis »
A group of people run a TV show where they set up locations to scare people. Things go horribly wrong when the producer wants them to get darker as they set up an asylum to spook the new target: a creepy guy who used to work there.
On Halloween, a group of friends encounter an "extreme" haunted house that promises to feed on their darkest fears. The night turns deadly as they come to the horrifying realization that some nightmares are real.
Lauryn Alisa McClain
Crawl is a character-driven thriller set in an unknown, rural town. A seedy bar-owner hires a mysterious Croatian to murder an acquaintance over an unpaid debt. The crime is carried out, but a planned double-crossing backfires and an innocent waitress suddenly becomes involved. Now a hostage in her own home, the young woman is driven to desperate measures for survival. A suspenseful, yet darkly humorous chain of events builds to a blood-curdling and unforgettable climax.Written by
If you read the online comments on various internet message boards, you'll see phrases like 'a thinking man's horror film' and 'highly atmospheric.' Then, when people - sadly, like me - who simply describe the film as 'boring,' we get criticised for 'only liking the lowest form of film' and 'not appreciating it.' It's about a seedy bar-owner who hires a mysterious hit-man to do away with an out-of-favour colleague. However, things go wrong and the hit-man ends up stalking a hapless (and overly-perfect, in my opinion) barmaid who works at the bar.
I'm afraid, for all the high-brow talk about Crawl, I just found it dull. There are long periods where there's no talking. And, in an attempt to 'create tension,' the same three chords are played endlessly on a cello. These scenes repeat at various intervals all the way through the film and you're just as well fast forwarding them and watching the speeded-up version (as you'll see what's happening at a fraction of the screen-time).
I don't just watch Michael Bay films and movies filled with endless car chases. I do watch other movies where I also have to (occasionally) use my head to figure things out. However, I just couldn't help but get bored with this.
Obviously, judging by the amount of positive praise there is out there for this film, then it has found an audience out there somewhere - I'm just one of those philistines who didn't appreciate it. Sorry! On the plus side, it's short!
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