Tomboy (2011)

A family moves into a new neighborhood, and a 10-year-old named Laure deliberately presents as a boy named Mikhael to the neighborhood children.

Director:

Céline Sciamma

Writer:

Céline Sciamma (screenplay)

Stars:

Zoé Héran, Malonn Lévana, Jeanne Disson

10 wins & 6 nominations.

Cast

Complete credited cast:
Zoé Héran	...	Laure / Mickäel
Malonn Lévana	...	Jeanne
Jeanne Disson	...	Lisa
Sophie Cattani	...	La mère
Mathieu Demy	...	La père
Rayan Boubekri	...	Rayan
Yohan Vero	...	Vince
Noah Vero	...	Noah
Cheyenne Lainé	...	Cheyenne
Christel Baras	...	La mère de Lisa
Valérie Roucher	...	La mère de Rayan

Storyline

A family moves into a new neighborhood, and a 10-year-old named Laure deliberately presents as a boy named Mikhael to the neighborhood children. It is heavily implied that Mikhael is a closeted transgender boy. This film follows his experiences with his newfound friends, his potential love interest, Lisa, his younger sister and his parents. It focuses in on the significance of gender identity in social interaction from an early age, the difficulties of being transgender and young, and how Mikhael navigates these in the background of childhood play and love.

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Plot Keywords:

transgender | gender identity | androgyny | transgender child | bathtub | 

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Taglines:

There's a new kid in town.

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Genres:

Drama

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Certificate:

Not Rated

Details

Official Sites:

Official Facebook Official Twitter

Country:

France

Language:

French

Release Date:

20 April 2011 (France)

Also Known As:

Agorokoritso

Filming Locations:

Seine-et-Marne, France

Box Office

Budget:

€1,000,000 (estimated)

Opening Weekend USA:

$7,078, 20 November 2011, Limited Release

Gross USA:

$129,834, 22 March 2012

Company Credits

Production Co:

Hold Up Films, Arte France Cinéma, Lilies Films

Technical Specs

Runtime:

82 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Zoe Hearn had to cut her hair short to get the part.

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Goofs

After the fight over the attack on Jeanne - which Laure wins, we see Laure attentively dressing the graze on Jeanne's knee, and adding a blue-coloured sticking plaster (Band-Aid). In the next scene, when (the un-named) mother finds out that Laure has been passing herself off as a boy, she demands that Laure wear a dress, when they both go to the neighbour to apologise. Laure is sitting on the bed with Jeanne, but all traces of Jeanne's knee injury, and even the sticking plaster, have disappeared.

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Quotes

La mère de Lisa: Lisa?
Lisa: Yes?
La mère de Lisa: Come here. This is Mikael's mum. She's come here to say Mikael is not actually Mikael but a girl, not a boy. She's waiting for you in the kitchen.

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Connections

References The Smurfs (1981)

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Soundtracks

Always
Written by Jean-Baptiste de Laubier and Jerôme Echenoz
Published by Because Editions/Copyright Control


& © 2011 Para one & Tacteel

User Reviews

Beautiful and tender to melt your heart

This small independent film was made for peanuts (Filmed on a Canon 5D and just a handful of people in the crew) and it is probably unlikely to make any big impact on the box-office. However I'm sure it'll leave a mark on those few who will actually manage to see it.

Zoé Héran is absolutely wonderful as Laure, the 10 years old girl who's just moved into a new neighbourhood where nobody knows her and pretends to be a boy (Michaël) with her new friends. Her performance is one of the best of the year, and possibly among the best ever performances by a child: she not only perfectly captures that innocence that children of that age have, but at the same time she seems to have a deep understanding of the struggle and the pain of her character. Throughout the film she really acts as if she was a real boy in a way that's so believable that at some point I really started to wonder whether "she" was actually a real "he". The film knows that and it does play with you by stretching the lie as far as it possibly can, until it decides to show you the real truth in a beautifully handled scene where you do actually see briefly the girl naked. It's a fleeting moment and the film obviously doesn't linger on it, but it's enough to put our minds at rest so that we can carry on enjoying the rest of the story.

The director Céline Sciamma's ability to film children making it look real is incredible. It feels effortless as if the camera was one of the children themselves and we as the audience are left observing them playing in the forest as if we were spying on them, or as if it was all a documentary. Rarely I have seen scenes with such young children that feel so honest and real: the approach is subtle and light, the atmosphere is almost muted, dialogue to advance the story is used to a minimum and the silences are charges with meaning and intensity. This is a subject that rarely makes the news, let alone the movie theatres. And it's so refreshing not just to see it depicted in this film, but to have it told with such an understanding, honesty and open-mindedness. All this together with the stellar acting from little Zoé make the internal drama of Laure/Michaël even more poignant and powerful. Be warned, this is a slow film (a very short one too at only 82 minutes), that has "French independent" written all over it, from its pace, to its rough look and its lack of music score, but if you, like me, love films about children growing up, this sensitive, tender and never heavy- handed story might just melt your heart too.

I saw it months ago and I still remember it vividly, so it must have worked on me.

moviegeekblog.com