An anthology series centering on different characters and locations, including a house with a murderous past, an insane asylum, a witch coven, a freak show circus, a haunted hotel, a possessed farmhouse, a cult, the apocalypse, and a slasher summer camp.
Convicted of a decade old crime of transporting drug money to an ex-girlfriend, normally law-abiding Piper Chapman is sentenced to a year and a half behind bars to face the reality of how life-changing prison can really be.
The cases of the F.B.I. Behavioral Analysis Unit (B.A.U.), an elite group of profilers who analyze the nation's most dangerous serial killers and individual heinous crimes in an effort to anticipate their next moves before they strike again.
Matthew Gray Gubler,
Physical and psychological horrors affect a decomposing family, workers and residents of an insane asylum, a coven of witches, a cast of circus freaks, the employees and guests at a struggling hotel, a family who moved into a mysterious farmhouse, the members of a small suburb in Michigan, the surviving members of the Apocalypse, and the counselors of a creepy summer camp in this haunting anthology series, focusing on the themes of infidelity, sanity, oppression, discrimination, addiction, and exploitation.
During Roanoke's second half, the characters are seen using their camera-only phones for both constant recording and a flashlight - some episodes have them using their phones for days without charging them. This incessant use would wear down the battery within a few hours, even without using other apps. See more »
Do you think Fiona can fix it?
You're such a Goddamn idiot. I can't believe you told them everything. I'm supposed to be cleaning up my act! When this gets out, I'm screwed!
Who cares? This is murder, like multiple murders!
They're not gonna find any evidence that we messed with the bus because we did not mess with the bus! What did you do to that shit dick in the hospital, though?
[Fiona comes in, angry]
[...] See more »
A dysfunctional family moves into an old house, a house with a history of horror. For the main characters, history is what the first episode is all about: the husband's history of infidelity, the wife's history of having a bloody stillbirth, the daughter's history of cutting herself -- for each a long history of pain and resentment and longing for change, though it quickly becomes apparent the only change coming will leave them hysterically screaming to the sudden, violent, gory end. The one sure thing this show promises is that people will die horribly, and we will all be terrified by it.
The characters are not likable; they may not even be redeemable. Even the suffering wife is bitter and cold and hateful. But do they deserve what horrible things will assuredly happen to them? Nope. Which means their fight is our fight, and their fear is our fear.
American Horror Story is interesting, entertaining, suspenseful, and ambitious. After watching the first episode, I want to watch some more.
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