As Steve Rogers struggles to embrace his role in the modern world, he teams up with a fellow Avenger and S.H.I.E.L.D agent, Black Widow, to battle a new threat from history: an assassin known as the Winter Soldier.
Steve Rogers, a rejected military soldier transforms into Captain America after taking a dose of a "Super-Soldier serum". But being Captain America comes at a price as he attempts to take down a war monger and a terrorist organization.
Samuel L. Jackson
When Tony Stark and Bruce Banner try to jump-start a dormant peacekeeping program called Ultron, things go horribly wrong and it's up to Earth's mightiest heroes to stop the villainous Ultron from enacting his terrible plan.
Robert Downey Jr.,
Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.
For Steve Rogers, awakening after decades of suspended animation involves more than catching up on pop culture; it also means that this old school idealist must face a world of subtler threats and difficult moral complexities. That becomes clear when Director Nick Fury is killed by the mysterious assassin, the Winter Soldier, but not before warning Rogers that SHIELD has been subverted by its enemies. When Rogers acts on Fury's warning to trust no one there, he is branded as a traitor by the organization. Now a fugitive, Captain America must get to the bottom of this deadly mystery with the help of the Black Widow and his new friend, The Falcon. However, the battle will be costly for the Sentinel of Liberty, with Rogers finding enemies where he least expects them while learning that the Winter Soldier looks disturbingly familiar.Written by
Kenneth Chisholm (email@example.com)
Prior to the release of this film, there was some doubt that this sequel would have much appeal outside of the United States considering the character's obvious American imagery. However, the film proved to be a major international success upon release. See more »
(at around 7 mins) When Steve is on the boat, and knocks out all the terrorists, one last terrorist points a gun at him before being shot by Rumlow. In the first shot, the terrorist is standing in front of Steve, but by the next shot, he is suddenly standing behind Steve. This has nothing to do with the camera angles. See more »
SPOILER: There is a scene in the closing credits: A Hydra agent meets Baron Von Strucker, who shows him Loki's scepter and observes Pietro and Wanda Maximoff. This leads into Avengers: Age of Ultron (2015). See more »
The contents of Steve Rogers' notebook near the opening of the film differ from region to region, depending upon what was popular and relevant to that particular country where the film was being shown/released. For example, the version of the film shown in Italy has Roberto Benigni, the version shown it Latin America has Shakira, Russia has Yuri Gagarin's name (first man in space), etc. See more »
The most exciting this franchise has been in years
When Fury(L. Jackson, tough as usual, for him and these) is attacked by an unknown enemy, the Captain(Evans, will of steel, heart of gold) and Black Widow(Johansson, sultry and devious – this uses her right, finally) find themselves(they have a great chemistry, with a charming running gag of her wanting to pair him up with a girl, going through a list of ones they both know; and with his straightforward nature, and her relative lack of integrity, they both affect the other towards them, benefiting both) with no one else to trust, except perhaps the veteran Falcon(Mackie, amiable), as they uncover a genuinely devastating truth, while on the run from a considerable force – including the elusive assassin, The Winter Soldier(Stan, terrifying, pure awesome pretty much every second he's on screen).
This is just short of the level of The Avengers. It uses the strong continuity of the cinematic Marvel(as in, their own studio) universe better than any of the others, and does justice to many different elements, most of them set up prior to this. Events occur in this that will have serious consequences for future entries. The plot-driven nature and approach of a 70's political thriller(where some characters, all credible and with something to do, happen to wear a flag or the like) in a contemporary setting and with biting satire(on foreign policy, something not entirely new to these, but never before this sharp commenting on mass surveillance and executions taking place before any trial against the (supposed) perpetrator) is spot-on. From a 40's war flick, with heroism and defined lines between good and evil, to the modern method of taking on the opposition – with spying, and questionable tactics(compared to one army versus another).
The action all comes about naturally, it's personal, hard-hitting and, on account of next to no CGI, it's "real". Each intense set-piece is varied(fighting, shooting, chasing both on foot and vehicular ), you will remember them, and except for one bit, they feel fresh and original. Among the very few weaknesses are that Sharon(VanCamp, another compelling and strong woman) has nothing to do in this, appearing as if her important scenes were cut, and/or that she was setup for the next one. She is the only one that that goes for, a pleasant surprise considering the seemingly bloated cast of characters. This explores S.H.I.E.L.D., and how the iconic super soldier fits into it or, whether or not he does, at all. The 3D is unobtrusive, adding depth and atmosphere, similar to Avatar.
There is violence and disturbing content in this. I recommend this to any fan of, well, blockbusters. 10/10
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