As Steve Rogers struggles to embrace his role in the modern world, he teams up with a fellow Avenger and S.H.I.E.L.D agent, Black Widow, to battle a new threat from history: an assassin known as the Winter Soldier.
Steve Rogers, a rejected military soldier transforms into Captain America after taking a dose of a "Super-Soldier serum". But being Captain America comes at a price as he attempts to take down a war monger and a terrorist organization.
Director:
Joe Johnston
Stars:
Chris Evans,
Hugo Weaving,
Samuel L. Jackson
When Tony Stark and Bruce Banner try to jump-start a dormant peacekeeping program called Ultron, things go horribly wrong and it's up to Earth's mightiest heroes to stop the villainous Ultron from enacting his terrible plan.
Director:
Joss Whedon
Stars:
Robert Downey Jr.,
Chris Evans,
Mark Ruffalo
Earth's mightiest heroes must come together and learn to fight as a team if they are going to stop the mischievous Loki and his alien army from enslaving humanity.
Director:
Joss Whedon
Stars:
Robert Downey Jr.,
Chris Evans,
Scarlett Johansson
The powerful but arrogant god Thor is cast out of Asgard to live amongst humans in Midgard (Earth), where he soon becomes one of their finest defenders.
Director:
Kenneth Branagh
Stars:
Chris Hemsworth,
Anthony Hopkins,
Natalie Portman
The Guardians struggle to keep together as a team while dealing with their personal family issues, notably Star-Lord's encounter with his father the ambitious celestial being Ego.
Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.
With the world now aware of his identity as Iron Man, Tony Stark must contend with both his declining health and a vengeful mad man with ties to his father's legacy.
Director:
Jon Favreau
Stars:
Robert Downey Jr.,
Mickey Rourke,
Gwyneth Paltrow
When the Dark Elves attempt to plunge the universe into darkness, Thor must embark on a perilous and personal journey that will reunite him with doctor Jane Foster.
Director:
Alan Taylor
Stars:
Chris Hemsworth,
Natalie Portman,
Tom Hiddleston
For Steve Rogers, awakening after decades of suspended animation involves more than catching up on pop culture; it also means that this old school idealist must face a world of subtler threats and difficult moral complexities. That becomes clear when Director Nick Fury is killed by the mysterious assassin, the Winter Soldier, but not before warning Rogers that SHIELD has been subverted by its enemies. When Rogers acts on Fury's warning to trust no one there, he is branded as a traitor by the organization. Now a fugitive, Captain America must get to the bottom of this deadly mystery with the help of the Black Widow and his new friend, The Falcon. However, the battle will be costly for the Sentinel of Liberty, with Rogers finding enemies where he least expects them while learning that the Winter Soldier looks disturbingly familiar.Written by
Kenneth Chisholm (kchishol@rogers.com)
Hawkeye was originally going to appear in several scenes, including a fight sequence where he would have battled Captain America after a prolonged chase through the city. Scheduling issues with Jeremy Renner prevented this. Originally, Hawkeye was sent to hunt down Steve, catching up to him and the two of them fighting. Steve wins, but finds Hawkeye whispering to him to make his defeat look real, revealing Hawkeye deliberately lost because a Quinjet is recording the whole thing overhead. He also alerts Steve about the tracking device in his suit. See more »
Goofs
(at around 54 mins) When Natasha and Steve are at the Apple Store, Natasha plugs in the pen drive onto the left hand side of the MacBook but when the S.H.I.E.L.D members arrive, the pen drive is missing from the USB port and then again in the next scene it comes back. See more »
SPOILER: There is a scene in the closing credits: A Hydra agent meets Baron Von Strucker, who shows him Loki's scepter and observes Pietro and Wanda Maximoff. This leads into Avengers: Age of Ultron (2015). See more »
Alternate Versions
The contents of Steve Rogers' notebook near the opening of the film differ from region to region, depending upon what was popular and relevant to the particular country where the film was being shown/released. For example, the version of the film shown in Italy has Roberto Benigni, the version shown in Latin America has Shakira, Russia has Yuri Gagarin's name (first man in space), etc. See more »
This film is simply exceptional in every way. The edge it has is delivering the best, grittiest action the genre has ever scene and characters that are as complex as the are fun. Why do I say that? Well...
What I love about the character is that Steve Rogers has "I'm-a-man-out- of-time issues" but he's comfortable with the chaos that it brings. In acclimating himself to this century he is at his best. Yes, most people would be overwhelmed but because of who he is and where he's from, he's able to cope and adapt. The serum that gives him his physical edge also gives him a mental boost. It's his emotions that are raw and unaided. Time has passed since Avengers so we don't get to see his day to day amazement and adjustment. I'm glad they skipped that stuff. What we do see is the man who once represented America and has become alien to America and it's slanted values. The passage of time. Add those struggles to a full blown conspiracy film and what results might just be the best film released all year long.
Steve Rogers is basically a John Wayne American. The world shifts to him and it's his job to tell everybody "Here's they way things should be done." We saw that in Avengers and even the first film after he gathered his Howling Commandos. Now, the powers that be are a lot more flexible in terms of loyalties and how they're going to get certain jobs done. How he handles this century's gray morality is at the heart of the film.
Like most men from the 1940's, Steve keeps things to himself and keeps his emotions bottled up. (EX: the first film when he mentions his mother dying of TB and he was even embarrassed when Peggy found him mourning alone for Bucky) So, bringing The Black Widow in to this film gives him someone who is going to draw out his story, because he's never going to offer it up of his own accord. Natasha learns from him. Fury learns from him. Sam Wilson learns from him. Yet, they all give him something in return. Every character used is utilized perfectly and smartly. Falcon for example, is not in awe of the legend of Captain America. This is exactly what Steve wants in a friend and in a fellow soldier, to not have to be Captain America. Everyone fits perfectly in to the plot and allows access to different beats, tones and emotional depth. Yes, conspiracy thrillers need depth and this one has it.
Captain America is probably the only superhero left in this world of the reboot who is singularly heroic. He doesn't have this dark existential quandary like other reinventions. Plugging that resolute goodness into a morally complex story means he doesn't question what he believes, but he questions whether anybody else does anymore. He doesn't question his foundation but he questions where he has ended up and what his role must now be. The conspiracy element and structure of this story helps in that Captain America is not up on a pedestal being self righteous, he's in a corner and that makes you want to root for the guy. He believes in what he's doing and the viewer is along for a great ride sharing that belief.
Marvel movies usually establish character early. This one starts out fast but it's got a lot of character in it. The first act packs a punch but does it laying the groundwork for a remarkable third act. They take time showing the issues and you immediately empathize with Steve. Giving us good character depth means the action delivers more punch. And the action here is beyond great. This movie absolutely punches you in the face in the best way possible. The action has advanced a lot from the first film. How he now operates in the world and kicks butt is all very impressive.
So, this is probably Marvel's grittiest movie and it's also their best sequel to date. There's a dash of humor but there's mostly a wonderful thriller, conspiracy and adventure that delivers a great great film.
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This film is simply exceptional in every way. The edge it has is delivering the best, grittiest action the genre has ever scene and characters that are as complex as the are fun. Why do I say that? Well...
What I love about the character is that Steve Rogers has "I'm-a-man-out- of-time issues" but he's comfortable with the chaos that it brings. In acclimating himself to this century he is at his best. Yes, most people would be overwhelmed but because of who he is and where he's from, he's able to cope and adapt. The serum that gives him his physical edge also gives him a mental boost. It's his emotions that are raw and unaided. Time has passed since Avengers so we don't get to see his day to day amazement and adjustment. I'm glad they skipped that stuff. What we do see is the man who once represented America and has become alien to America and it's slanted values. The passage of time. Add those struggles to a full blown conspiracy film and what results might just be the best film released all year long.
Steve Rogers is basically a John Wayne American. The world shifts to him and it's his job to tell everybody "Here's they way things should be done." We saw that in Avengers and even the first film after he gathered his Howling Commandos. Now, the powers that be are a lot more flexible in terms of loyalties and how they're going to get certain jobs done. How he handles this century's gray morality is at the heart of the film.
Like most men from the 1940's, Steve keeps things to himself and keeps his emotions bottled up. (EX: the first film when he mentions his mother dying of TB and he was even embarrassed when Peggy found him mourning alone for Bucky) So, bringing The Black Widow in to this film gives him someone who is going to draw out his story, because he's never going to offer it up of his own accord. Natasha learns from him. Fury learns from him. Sam Wilson learns from him. Yet, they all give him something in return. Every character used is utilized perfectly and smartly. Falcon for example, is not in awe of the legend of Captain America. This is exactly what Steve wants in a friend and in a fellow soldier, to not have to be Captain America. Everyone fits perfectly in to the plot and allows access to different beats, tones and emotional depth. Yes, conspiracy thrillers need depth and this one has it.
Captain America is probably the only superhero left in this world of the reboot who is singularly heroic. He doesn't have this dark existential quandary like other reinventions. Plugging that resolute goodness into a morally complex story means he doesn't question what he believes, but he questions whether anybody else does anymore. He doesn't question his foundation but he questions where he has ended up and what his role must now be. The conspiracy element and structure of this story helps in that Captain America is not up on a pedestal being self righteous, he's in a corner and that makes you want to root for the guy. He believes in what he's doing and the viewer is along for a great ride sharing that belief.
Marvel movies usually establish character early. This one starts out fast but it's got a lot of character in it. The first act packs a punch but does it laying the groundwork for a remarkable third act. They take time showing the issues and you immediately empathize with Steve. Giving us good character depth means the action delivers more punch. And the action here is beyond great. This movie absolutely punches you in the face in the best way possible. The action has advanced a lot from the first film. How he now operates in the world and kicks butt is all very impressive.
So, this is probably Marvel's grittiest movie and it's also their best sequel to date. There's a dash of humor but there's mostly a wonderful thriller, conspiracy and adventure that delivers a great great film.