A troubled girl (Emanuel) becomes preoccupied with her mysterious new neighbor (Linda), who bears a striking resemblance to her dead mother. In offering to baby-sit Linda's newborn, Emanuel unwittingly enters a fragile, fictional world, of which she becomes the gatekeeper.Written by
Originally titled "Emanuel and the Truth About Fishes" See more »
When Linda gives Emanuel a blouse to wear on her date, she tells her that she wore this on her first date with Chloe's father, although the price tag appears clearly as she holds the blouse. See more »
My name is Emanuel. I'm 17 years old and I killed my mother. I had her sliced open, like a goat for the slaughter, to get me pulled out. As she bled, the doctor pushed air into my lungs and pressed his hands repeatedly onto my chest, with the same rhythmic, repetitive motion that he used to jerk himself off that very morning. It worked. He came and I came. Back to life.
The fact that my mother lost her life for this - for me - is probably just a side note. The cost of doing ...
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Softness, quiescence, mellow and dull, this movie builds towards a breaking point.
Emanuel, a young woman whose mother died in child birth is still haunted by the absence. Longing, hurt inside, she forms a connection with a new next door neighbor named Linda (played by Jessica Biel).
Can't spoil the movie, but Linda and Emanuel are connected by loss.
We need one another, we love one another and sometimes, the bereavement even if we never got to truly know that lost one, is so strong it breaks our hearts, minds, souls, and future. We find ourselves surrounded by water, drowning and watching our love fall deeper and get carried away by the current.
I enjoyed this movie.
Kaya Scodelario carried the movie and Jessica Biel delivered in a believable way.
Written and Directed by Francesca Gregorini, I didn't have any complaints with the script and felt there was a great pace and rhythm to the movie, supported nicely with music.
8 of 13 people found this review helpful.
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