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Title: Tomorrow You're Gone (2012)
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| Credited cast: | |||
| Michelle Monaghan | ... | Florence Jane | |
| Willem Dafoe | ... | The Buddha | |
| Stephen Dorff | ... | Charlie Rankin | |
| Robert LaSardo | ... | Ornay Corale | |
| Tara Buck | ... | Blonde Mistress | |
| Kerry Rossall | ... | Chaney | |
| LeJon Woods | ... | Sporting Goods Clerk | |
 |
Jayda Diamonde | ... | Movie Nun / Blonde in Bus Station / Blonde Maid |
| Mark Sherman | ... | Charlie's Father (voice) | |
| Branislav R. Tatalovic | ... | Used Car Salesman | |
| Adam Epstein | ... | Stitch Marks | |
|
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Agnes Herrmann | ... | Conv. Store Clerk |
|
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Ryan Ross | ... | Knitcap |
| Sammy Jack | ... | Young Charlie Rankin | |
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Danielle Tripodis | ... | Girl at Moe's Bar |
Charlie Rankin, recently released from prison, seeks vengeance for his jail-house mentor William "The Buddha" Pettigrew. Along the way, he meets the ethereal, yet streetwise, Florence Jane. They embark on a unlikely road trip, careening towards an unlikely redemption and uncertain resolution.
TOMORROW YOU'RE GONE is no thriller, which is not, of course, an entirely bad thing. It's a strange, dreamlike, and fairly uneventful film about Charlie Rankin (Dorff) being released after a four-year stint in prison, intent on wreaking vengeance on those who put him there and performing "hits" against adversaries of "The Buddha"(Dafoe), another former--now dead?--inmate who acts as his ethereal mentor. He also meets "Florence Jane" (Monaghan) the girl of many-a-guy's dreams, but not Rankin's, who just wants to be friends with her. Florence Jane, it would seem, is a sort of guardian angel figure save, perhaps, the "guardian" part. Much of it is open to interpretation, and much of it simply doesn't make a whole lot of sense.
More thematic and atmospheric than action-oriented, TOMORROW YOU'RE GONE is well-filmed and well-played, and much of the script (especially Florence Jane's) is quite memorable without being overly pretentious: See the quote from "The Buddha" used as my title here. TYG also has things to show and tell us about the futility of vengeance, the destructive nature of bitterness, and various other things.
If only the plot were better. . .