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A Separation (2011)

Jodaeiye Nader az Simin (original title)
PG-13 | | Drama | 16 March 2011 (Iran)
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2:04 | Trailer
A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.

Director:

Asghar Farhadi

Writer:

Asghar Farhadi
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2,450 ( 311)
Top Rated Movies #111 | Won 1 Oscar. Another 84 wins & 47 nominations. See more awards »

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Cast

Credited cast:
Payman Maadi ... Nader (as Peyman Moadi)
Leila Hatami ... Simin
Sareh Bayat ... Razieh
Shahab Hosseini ... Hojjat
Sarina Farhadi Sarina Farhadi ... Termeh
Merila Zare'i ... Miss Ghahraii
Ali-Asghar Shahbazi ... Nader's Father
Babak Karimi ... Interrogator
Kimia Hosseini ... Somayeh
Shirin Yazdanbakhsh Shirin Yazdanbakhsh ... Simin's Mother
Sohibanoo Zolqadr Sohibanoo Zolqadr ... Azam (as Sahabanu Zolghadr)
Rest of cast listed alphabetically:
Mohammadhasan Asghari Mohammadhasan Asghari ... Creditor
Shirin Azimiyannezhad Shirin Azimiyannezhad ... Woman in the Bus
Hamid Dadju Hamid Dadju ... Creditor
Mohammad Ebrahimian Mohammad Ebrahimian ... Judge
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Storyline

Nader (Payman Maadi) and Simin (Leila Hatami) argue about living abroad. Simin prefers to live abroad to provide better opportunities for their only daughter, Termeh. However, Nader refuses to go because he thinks he must stay in Iran and take care of his father (Ali-Asghar Shahbazi), who suffers from Alzheimers. However, Simin is determined to get a divorce and leave the country with her daughter. Written by Amin Davoodi

Plot Summary | Plot Synopsis

Taglines:

Ugly truth, sweet lies See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic material | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Iran | France

Language:

Persian

Release Date:

16 March 2011 (Iran) See more »

Also Known As:

A Separation See more »

Filming Locations:

Tehran, Iran

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Box Office

Budget:

$500,000 (estimated)

Opening Weekend USA:

$59,481, 1 January 2012

Gross USA:

$7,099,055

Cumulative Worldwide Gross:

$19,899,055
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The second Iranian film nominated for an Academy Award for Best Foreign Language Film. The first was Children of Heaven (1997). See more »

Goofs

When Simin and Hojjat's sister are talking to Hojjat, the fan behind Hojjat is on at first, but off and facing a different angle in subsequent scenes. See more »

Quotes

Nader: Don't you ever think why you wanna leave this country? 'Cause every time you face a trouble, you give in. Rather than confront it.
Simin: Sorry, it hasn't been a week since I left, and look what happened!
See more »

Connections

Featured in At the Movies: Episode #10.1 (2013) See more »

Frequently Asked Questions

See more »

User Reviews

 
unsaid words can turn into a separation
25 March 2011 | by mrbarooeeSee all my reviews

It seems that a court room drama could be the best place for Frahadi to recreate his very own world and confront us with a short and somehow faraway situations and incidents in life. We think these kinds of happenings and conflicts would not take place in our lives but with his realistic world and characters they seem so close and possible to anyone. Asghar Farhadi loves to put his audience in place of judge, as his other pictures like About Eli or Fireworks Wednesday and here with no fear he takes us straight to a court room. But the thing is that the judge does not provide any help for us to make a clear judgment and surprisingly makes the situation even more complicated. Yes Farhadi doesn't want us to make a judgment, He makes us watch and observe and leave the theater with a big fork in front of us.It Seems that any single decision creates another world full of forks and not taken ways.

when nobody is clearly guilty and the line between black and white is so dim. And again here we are in Frhadi's powerful hands surprised to the end of the movie. You can't leave your chair even for one second because the story never lets you to lose even a single moment. And like a tennis ball we're always being shot from this side to the other. And finally we are the daughter shocked and disable to make a decision. May be we haven't seen or we don't want to see this side of life, where nothing is clear, when small lies and unimportant undone things and unsaid words gang up against us and turn to a big disaster. Frahadi has found his own world and his own language and his own version of life. Something we'd never seen before. We appreciate that. He can easily bombard us with information and surprise us with tiny details that seem nothing but like a snowball rolling down a slope they can form a big drama.


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