A shot including the view from the London office shows St Paul's and the Millenium bridge. This would place the office on the site of the Tate Modern galley. See more »
I woke up in the hospital and my mother was sobbing, and I asked her what happened to Clarissa, and she said... Well, she didn't. She wouldn't even look at me. And no one ever said anything, but I knew what they were thinking.
[sniffing, then in a whisper]
That I killed her. And they never told me that they loved me ever again.
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This is just an OK film which means it's a bit disappointing from a director who has a reputation. It works as a - not very thrilling - thriller, and Noomi Rapace does a good performance. Plus the film delivers some intense scenes and good photography in front of very cool, emotionally empty sets.
What doesn't work so good: It starts as a kind of 21st century version of an 80s erotic thriller, but never gets erotic. In fact, the title is ridiculous, because it never even gets passionate - everybody tries to be in control and nothing happens instinctively or out of reflex. (The slow, controlled ballet sequence strengthens this impression). Also, Rachel McAdams is good at bitchy, but I couldn't believe in her as a tough enterprise lady. And finally, the twist, when it finally came, was exactly what was hinted at ...
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