A French woman mourning over the death of her husband three years prior is courted by a Swedish co-worker.
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Title: La délicatesse (2011)
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1 win & 2 nominations.
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Cast
| Cast overview, first billed only: | |||
| Audrey Tautou | ... | Nathalie Kerr | |
| François Damiens | ... | Markus Lundell | |
| Bruno Todeschini | ... | Charles | |
| Mélanie Bernier | ... | Chloé, la secrétaire de Nathalie | |
 |
Joséphine de Meaux | ... | Sophie |
| Pio Marmaï | ... | François | |
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Monique Chaumette | ... | Madeleine, la grand-mère |
|
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Marc Citti | ... | Pierre |
|
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Alexandre Pavloff | ... | Benoît (as Alexandre Pavloff de la Comédie Française) |
|
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Vittoria Scognamiglio | ... | La mère de François |
|
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Olivier Cruveiller | ... | Le père de François |
| Ariane Ascaride | ... | La mère de Nathalie | |
| Christophe Malavoy | ... | Le père de Nathalie | |
| Audrey Fleurot | ... | Ingrid, la secrétaire de Charles | |
|
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Bénédicte-Lala Ernoult | ... | L'ouvreuse du théâtre (as Bénédicte Ernoult) |
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Plot Summary
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Storyline
A French woman mourning over the death of her husband three years prior is courted by a Swedish co-worker.
Plot Keywords:
co worker | loss of husband | overcoming grief | loss of loved one | office romance |Taglines:
A new romantic comedy about Love, Fate and other Delicacies.Parents Guide:
View content advisory »
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Details
Country:
FranceRelease Date:
21 December 2011 (France) See more »Also Known As:
La delicadeza See more »Filming Locations:
Gare de Montgeroult - Courcelles, Rue du Moulin, Montgeroult, Val d'Oise, France See more »Edit
Box Office
Budget:
€7,000,000 (estimated)Company Credits
Show more on
IMDbPro »
Technical Specs
Runtime:
Sound Mix:
Dolby DigitalColor:
ColorAspect Ratio:
1.85 : 1
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[She let me be the best possible version of myself]
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Did You Know?
Quotes
Markus Lundl: Elle me permet d'être la meilleure version de moi même.[She let me be the best possible version of myself]
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This is a much better film than has been generally recognized. Props to Tatou for choosing this project. It is not a romantic comedy, though there are many occasions for laughter. It is about love and loss, grief and healing. Maybe even more, it is about our culture, whose pervasive artificiality and interpersonal politics need to make real things seem weird and out of place. There is a Bergmanesque (eg: 'Swedish') subsurface to this light-footed film. As you watch it, consider the fates Tatou's character avoids by rejecting each invitation to 'normalcy'...
The film is beautifully shot, colored, and lit. The script is marvelously economical: every line is necessary. Finally, the music is ideal for allowing the intentions of the filmmaker to sink in.