All the couples are back for a wedding in Las Vegas, but plans for a romantic weekend go awry when their various misadventures get them into some compromising situations that threaten to derail the big event.
Pledging to keep herself from being the oldest and the only woman in her entire family never to wed, Montana embarks on a thirty-day, thirty-thousand-mile expedition to charm a potential suitor into becoming her fiancé.
Hot Tub Time Machine's Steve Pink directed this contemporary adaptation of David Mamet's play Sexual Perversity in Chicago, about two new couples who find that their sexually charged relationships may not have the substance to thrive in the cold, hard light of day..
When Danny tries to make a toast at the Halloween party, he says, "Here's to another night of sexual perversity in Los Angeles." This is a reference to "Sexual Perversity in Chicago", the 1974 play by David Mamet from which both this film and About Last Night (1986) were adapted. See more »
(at around 41 mins) The towel on Casey's shoulder disappears and reappears between shots. See more »
Hey, get on top.
I'm not getting on top. You gotta get on top.
I got on top the last time.
Rock, paper, scissors, loser get on top.
All right, on three... That's a tie so we gotta go from the side.
See more »
Written by Robin Hannibal (as Robin Hannibal Moelsted Braun) and Milosh (as Michael Edward Milosh)
Performed by Rhye
Courtesy of Polydor Ltd./Loma Vista Recordings
Under license from Universal Music Enterprises See more »
A step down for this popular property
So what do we have here? Nothing but another unnecessary remake of an '80s film. This time it's "About Last Night," the romantic drama starring Demi Moore and Rob Lowe, which was itself based on the highly acclaimed play by David Mamet, provocatively entitled "Sexual Perversity in Chicago." In this version, it's Joy Brand and Michael Ealy who play the young urban couple who meet, fall in love, move in together, then begin to have doubts about the efficacy and durability of their relationship.
Brand and Ealy are appealing and attractive performers, and both have done fine work on TV, Brand in "Parenthood" and Ealy in "Almost Human." But here they have been let down by screenwriter Leslye Headland, who proves herself incapable of getting past all the timeworn tropes and clichés that have become so much a part of the romantic comedy genre. The movie becomes just another men-are-from-Mars/women-are-from-Venus- type scenario, filled with girl-talk and guy-talk and all the predictable sturm und drang soul-baring and commitment issues (mainly on the part of the man, of course) that such narratives are prone to. Too often the things pulling the couple apart feel scripted and manufactured rather than organic and real. Under the slick but lackluster direction of Steve Pink, everyone just seems to be going through the motions, without any real passion or conviction.
The movie also comes replete with the requisite smart-aleck, comic- relief couple (well-played by Kevin Hart and Regina Hall) to serve as a foil for the one on center-stage. Yet, even the humor tends to aim low when it should be aiming high.
I like the way the story hits the re-set button in the final scene, but by then it's a case of too little too late and we've already moved onto the next movie.
8 of 12 people found this review helpful.
Was this review helpful to you?
| Report this