A clerk in a government agency finds his unenviable life takes a turn for the horrific with the arrival of a new co-worker who is both his exact physical double and his opposite - confident, charismatic and seductive with women.
Simon is a timid man, scratching out an isolated existence in an indifferent world. He is overlooked at work, scorned by his mother, and ignored by the woman of his dreams. He feels powerless to change any of these things. The arrival of a new co-worker, James, serves to upset the balance. James is both Simons exact physical double and his opposite - confident, charismatic and good with women. To Simons horror, James slowly starts taking over his life.Written by
An earlier version of this film, also based on Fyodor Dostoevsky's novel, and also to have been called The Double, came close to being made by director Roman Polanski in 1996. John Travolta was to have played the lead role alongside Isabelle Adjani, John Goodman and Jean Reno, from a script by Jeremy Leven. Shooting was to have started in Paris in June 1996. However, just days before principal photography was due to begin, Travolta left the project after an argument with Polanski about alleged changes to the script and the film collapsed shortly afterwards. See more »
You can't be doing anything gay. No ice-cream cones.
I like ice cream.
Of course. It's delicious. Ice cream is fine in a cup, but in a cone is gay unless you're with a woman at the time.
No riding on a motorcycle with another man. Exceptions are drive-by shootings, bomb throwings and purse snatchings. Anything else is gay.
You seem to know a lot about this.
Defense wins championships.
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aka "Ameno Akasaka"
Written by Jun Hashimoto, Tsunaki Mihara
Published by Watanabe Music Publishing Co. Ltd (c) 1968
Administered by Fairwood Music (UK) Ltd for the UK & Eire
Performed by The Blue Comets
Licensed courtesy Watanabe Music Publishing Co. Ltd
Administered by Fairwood Music (UK) Ltd for the UK & Eire See more »
Here's the basic gist- this film is pretty ambitious on a visual level. It's reminiscent of the type of film Lynch would have made in his early days (yes, I got memories of Eraserhead for whatever reason). On a storyline-level, it's more straightforward. You can pretty much guess where the narrative is going and the strings it's going to pull. The film still works however, largely because of its cast. Jesse Eisenberg's performance here stands alongside his Oscar-nominated turn in The Social Network as the best acting he's ever given. It's truly superb work. Wasikowska is also quite effective. The score is effective and sort of haunting. Overall, I wish I'd liked it more, but it's definitely recommended.
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