More drama occurs behind the scenes than on stage, as the team prepares an ambitious Broadway musical on the life of Marilyn Monroe.More drama occurs behind the scenes than on stage, as the team prepares an ambitious Broadway musical on the life of Marilyn Monroe.More drama occurs behind the scenes than on stage, as the team prepares an ambitious Broadway musical on the life of Marilyn Monroe.
- Won 1 Primetime Emmy
- 9 wins & 28 nominations total
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10aeiryl
The cast, level of vocal ability and performance, choreography, and dialogue were all excellent. The juxtaposition and occasional pairing of the two lead singers in competition for the lead in Bombshell really played up the suspense and excitement while highlighting what each brought to the part. It helped that we saw it through the director's eyes - the difficulty in choosing between them.
I like that it showed the conflict between making decisions for the good of the show and for the good of existing relationships. The only unnecessary character / conflict, in my opinion, was the ladder climbing Ellis. His character had no real development or arc. The obstacles he put in the way of success could have been shown by different means than this villain who we were not made to care about strongly either way.
I would not have taken it in a different direction the 2nd season; it didn't jive with what seemed to be the original premise of the show (i.e., a musical about putting on a musical). The struggle to mount the show and bring it to major success was interesting in itself. Especially when showing the inner struggles of the various teams, groups and individuals. Very unique - nothing like has come before it - and authentic. I miss it!
I like that it showed the conflict between making decisions for the good of the show and for the good of existing relationships. The only unnecessary character / conflict, in my opinion, was the ladder climbing Ellis. His character had no real development or arc. The obstacles he put in the way of success could have been shown by different means than this villain who we were not made to care about strongly either way.
I would not have taken it in a different direction the 2nd season; it didn't jive with what seemed to be the original premise of the show (i.e., a musical about putting on a musical). The struggle to mount the show and bring it to major success was interesting in itself. Especially when showing the inner struggles of the various teams, groups and individuals. Very unique - nothing like has come before it - and authentic. I miss it!
NBC takes it head-on in its ongoing battle with the cable channels with Smash, an edgy take on the inner workings of Broadway. With production values you would expect more from AMC or Starz, Smash is sure to light up broadcast television like nothing has in years.
The plot is simple in premise: thanks to the observations of an eager intern, a couple of Broadway producers decide to work on a musical featuring the life of Marilyn Monroe -- despite the fact that the last attempt on that subject matter failed abysmally. But, as spectacular as the potential subject matter might be, it is the inter-relationships between the characters involved in that production that inevitably make the show 'work' -- just as it is in a great musical.
There is the blonde 'born to play' Marilyn, and the brunette who just does it oh-so-much-better. There is the conflict between a producer and a director who just cannot stand each other. There are the money problems faced by an executive producer cutting it just a wee bit fine. There's the difficulty producers face running a production 16 hours a day and maintaining any semblance of a home life.
Not only is there entertainment value in the acts that make up the musical themselves, but the eye-opening realism of the personal dynamics involved in mounting a musical on Broadway ensure that this program will not run out of steam any time soon.
Frankly, I'm just surprised this show didn't happen any sooner. Congratulations, NBC -- you've got a great one in 'Smash'.
The plot is simple in premise: thanks to the observations of an eager intern, a couple of Broadway producers decide to work on a musical featuring the life of Marilyn Monroe -- despite the fact that the last attempt on that subject matter failed abysmally. But, as spectacular as the potential subject matter might be, it is the inter-relationships between the characters involved in that production that inevitably make the show 'work' -- just as it is in a great musical.
There is the blonde 'born to play' Marilyn, and the brunette who just does it oh-so-much-better. There is the conflict between a producer and a director who just cannot stand each other. There are the money problems faced by an executive producer cutting it just a wee bit fine. There's the difficulty producers face running a production 16 hours a day and maintaining any semblance of a home life.
Not only is there entertainment value in the acts that make up the musical themselves, but the eye-opening realism of the personal dynamics involved in mounting a musical on Broadway ensure that this program will not run out of steam any time soon.
Frankly, I'm just surprised this show didn't happen any sooner. Congratulations, NBC -- you've got a great one in 'Smash'.
10mana6793
I was reluctant to watch this show as I thought it was going to be a failed attempt at another glee type show, however when I found out Katherine Mcphee in it I was immediately intrigued so I gave it a chance and I am so glad that I did, I like how a lot of the music is new songs written for the show, however they are not the main focus, it is about the process of making a Broadway show with a lot of musical scenes to make it even better, and the singers and actors are all incredible.
I have really enjoyed learning more about the behind the scenes of Broadway, but its not too much that you get confused or sick of it, you really fall in love/hate with the characters. The characters are also very complex which I love, you never know what one of them is going to do next
I never realised before how amazing Debra Messing is until this show, her acting is fantastic, and Megan Hilty is such a star. Any comparisons to Glee are simply because they both involve music, however they focus on entirely different things, SMASH is very mature and will easily appeal to an older audience, glee however is for teens and kids (like me, I love glee!) but this show is much more dramatic.
I watched the whole of series 1 in 2 days and as soon as I finished it I wanted to watch it again, which is exactly what I did!
I have really enjoyed learning more about the behind the scenes of Broadway, but its not too much that you get confused or sick of it, you really fall in love/hate with the characters. The characters are also very complex which I love, you never know what one of them is going to do next
I never realised before how amazing Debra Messing is until this show, her acting is fantastic, and Megan Hilty is such a star. Any comparisons to Glee are simply because they both involve music, however they focus on entirely different things, SMASH is very mature and will easily appeal to an older audience, glee however is for teens and kids (like me, I love glee!) but this show is much more dramatic.
I watched the whole of series 1 in 2 days and as soon as I finished it I wanted to watch it again, which is exactly what I did!
I love musicals and grew up loving all the great Broadway hits like Phantom, Les Miserables, Miss Saigon, Jeckyl and Hyde....It is so refreshing to watch a show that provides us with a kind of behind the scenes and making of the next big production! The cast members in this show are outstanding and the music is spectacular! I hope, hope, hope that this gets the ratings to stay on the air! Although I'm a fan of Glee, I feel that it is less story driven and more theme oriented around certain artists or genres. If you are looking for something fresh, if you love a good drama, if you like excellent writing, and if you enjoy listening to people sing songs that make you feel good then you owe it to yourself to check out SMASH!
It is so good to have the option to see an upbeat musical instead of being limited to all of the police, vampire, garish and reality shows that have been taking over the networks these days. Katherine McPhee's performance is excellent. She is quite a refreshing actress and singer. The show is nicely geared towards the crowd that is over 16. Glee is much too young for me. I am 61. The show is very well done. The storyline is interesting and kind of reminiscent of the movie Fame. I am eager to tune into the next episode. I will be a loyal fan and hope that Smash becomes a long running show. It makes me smile and sing. We need more shows that can do that.
Did you know
- TriviaSeveral of the actors on Smash have actually performed in Broadway musicals. Megan Hilty played Glinda in Wicked and originated the role of Doralee in 9 to 5. Christian Borle was in the original casts of Spamalot and Peter and the Starcatcher, and originated the role of Emmett in Legally Blonde. Brian d'Arcy James was in the original casts of Titanic, the revival of The Apple Tree, and played the title role in Shrek. Wesley Taylor was in the original casts of Rock of Ages and The Addams Family. Will Chase has been in Rent, Aida, The Full Monty, and Billy Elliot. Ann Harada (Linda) originated the role of Christmas Eve in the puppet musical "Avenue Q." Anjelica Huston has never been in a Broadway musical, but in 1969 she played Ophelia in a Broadway production of Hamlet, and Leslie Odom Jr. Played Aaron Burr in "Hamilton" which he won the Tony Award for best actor for his performance.Jeremy Jordan played Jay Gatsby in "The Great Gatsby"
- ConnectionsFeatured in The Tonight Show with Jay Leno: Episode #20.81 (2012)
- SoundtracksSomewhere Over the Rainbow
(uncredited)
Written by Harold Arlen and E.Y. Harburg
Performed by Katharine McPhee
- How many seasons does Smash have?Powered by Alexa
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