Now that Rebecca has decided not to return to "Bombshell", the creative team, beyond the need for Tom and Julia to rewrite the ending which will include one more song, has a major decision: whether ...
It's "Bombshell"'s opening night, to which Eileen has provided tickets to the cast and crew of "Hit List". While trying to avoid any on-line chatter leading up to the opening, Ivy can't help but be ...
"Bombshell" and "Hit List" lead the Tony nominations with twelve and thirteen nominations respectively. Some things seem a certainty at tonight's awards ceremony, primarily that Derek, who has three ...
Jack Black IMDbs himself and dishes on The House with a Clock in Its Walls. Plus, we've got an uncensored version!
"The Sinner" star talks us through his arc in the show's just-finished Season 2.
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For a Broadway musical, the road to success is not easy. And winning the coveted Tony as Best Musical, which is the ultimate goal, is even more difficult. Such trials and tribulations are shown for a handful of shows, their creative teams and their performers. There is competition amongst the performers for roles, competition amongst the shows not only for box office but also limited investor dollars and that final Tony prize, and competition amongst those ultimately hired in the cast and crew for what they want to see happen in the show, both for the good of the show and their own personal benefit. And sometimes, personal life gets in the way of these professional goals. These problems not only happen for those new or working their ways up the ranks, such as performers Karen Cartwright and Ivy Lynn, and the writing team of Jimmy Collins and Kyle Bishop, but also seasoned veterans, such as the writing team of Tom Levitt and Julia Houston, womanizing director Derek Wills, and producer ... Written by Huggo
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I like it ,but McPhee ,though pleasant enough to look at ,an an adequate singer,doesn't have the pipes for live theatre and has the stage presence of a potted plant. Hilty,who they positioned for the audience not to like,stole the show. But the real problem is they underestimated the stupidity of American audiences. They might have just as well done a show about classical pianists. The American audience has been dumbed down with reality TV ,and a dwindling PBS type presence ,as well as the republican party putting forth a distrust of anyone or anything that is smart ,or intellectual. This show could have succeeded on HBO or Showtime,a few sex scenes and a Sex in the City meets The Great White Way angle. They would have found their audience. But don't compare this to Glee. It resonated because everyone has been in high school,even stupid people, and they use pop music. Few people have ever performed live to a paying audience. This show couldn't draw on the sheer commonality that Glee can. In all,I'm sad to see it go. It could have been wonderful.