The film the voting machine corporations don't want you to see. HACKING DEMOCRACY follows investigator/grandmother, Bev Harris, and her citizen-activists as they set out to uncover how ... See full summary »
A documentary focused on Stuxnet, a piece of self-replicating computer malware that the U.S. and Israel unleashed to destroy a key part of an Iranian nuclear facility, and which ultimately spread beyond its intended target.
Alex Gibney explores the charged issue of pedophilia in the Catholic Church, following a trail from the first known protest against clerical sexual abuse in the United States and all the way to the Vatican.
This two hour documentary attempts to tell the story of Wikileaks and does so using TV footage, interviews with government people and former Wikileaks employees and even Adrian Lamo.
Is it a fair documentary? I don't really know. It builds the case against Assange, but it keeps a friendly and supportive view of Wikileaks. It shows that Bradley Manning is practically being tortured under US incarceration, but does its best to describe the boy as an uber-gay mal-adapted geek. It seems to try to be as objective as possible, but does not interview either Assange or Manning and makes them both look like defective weirdos.
My opinion? If this were a politically commanded documentary, then it is a very subtle one, trying to polarize the audience, break any collaboration between Assange and his former employees and fans, even going so far as to show the regret of Adrian Lamo (the guy that ratted out Manning) when he cries on camera, so that he can never be an objective party in the story. This is the usual way official documentaries work, though. They gain power through polarization.
But if this is not a political order, then the documentary doesn't actually say much, other than go through a weak and one sided timeline amongst the various special effects and dramatic music that fill the movie and make it rather boring. At one time I fell asleep while watching it.
Therefore I cannot rate it but below average. I have this fear that the makers of the film were actually trying to show the story and report it accurately, but I fell into the trap of sympathizing with one side or another, but then again, if they wanted objectivity, they should have surfed the middle line, not throw Assange to the wolves.
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