Faced with both her hot-tempered father's fading health and melting ice-caps that flood her ramshackle bayou community and unleash ancient aurochs, six-year-old Hushpuppy must learn the ways of courage and love.
U.S. Olympic wrestling champions and brothers Mark Schultz and Dave Schultz join "Team Foxcatcher", led by eccentric multi-millionaire John du Pont, as they train for the 1988 Olympic Games in Seoul, South Korea, but John's self-destructive behavior threatens to consume them all.
Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
"NEBRASKA" is a father and son road trip, from Billings, Montana to Lincoln, Nebraska that gets waylaid at a small town in central Nebraska, where the father grew up and has scores to settle. Told with deadpan humor and a unique visual style, it's ultimately the story of a son trying to get through to a father he doesn't understand.Written by
Right before David picks Woody up, just after the scene with his ex-girlfriend, the traffic light he drives through is shown from his point of view and the top light is lit. The top light is the red light. See more »
[after telling Woody he hasn't won the money]
I can give you a free gift. Would you like a hat or a seat cushion?
Dad. Do you want a hat or a seat cushion?
I'll take a hat.
See more »
All "coordinator" positions are listed as "coördinator" (with the dieresis over the second "o"). See more »
Alexander Payne claimed a color version was created in an effort to appease Paramount Vantage studio executives over releasing a black and white film. Although he had no plans or intentions of ever releasing it to the public, it was shown on premium movie channel Epix as a "World Color Premiere" at 10:00 pm EST on August 10, 2014, immediately following the 8:00 pm premiere of the black and white version. See more »
Nebraska- The Latest Whimsical Tale from Alexander Payne is a Subtle and Poetic Reflection on the Loss of Time and the Affirmation of Hope
Time is a peculiar yet universally felt concept whose effects can be seen in its numerous consequences either through the obvious traits of aging or the far more subtle and subjectively felt intangibles such as regret. In the heart of the Midwest there are depressingly poetic examples of this thoroughly felt concept of time how the vast stretches of what appears to be infinite plains of nothing are filled with monuments of ruin either in the ghost town cities or the deserted farmland all of which are consequences of economic hardship and familial anchors. This is the melancholic setting of Alexander Payne's new film Nebraska, a sad yet endearing road trip film that becomes a sort of modern Don Quixote influenced story where a regret filled, dementia gaining father resembling the infamous dreamer Quixote resiliently chases the remnants of a thin dream accompanied by his affably neutered son serving as the loyal Sancho Panza. Nebraska clearly resembles previous films that have captured the distinct American spirit and eccentric characters of the parched Midwest, including Peter Bogdonovich's The Last Picture Show and David Lynch's oddly accessible The Straight Story, but remains uniquely an Alexander Payne film containing his penchant for mixing whimsically dry humor with poignant humanity. At the center of Payne's film is an astonishingly subtle performance from experienced acting veteran Bruce Dern whose stern blankness and aging dementia makes for an intriguing parallel to the derelict environments throughout the Midwest setting which is captured brilliantly through cinematographer Phedon Papamichael's poetic black & white imagery. This whimsical yet mournful ode to Midwestern life, values, and legacy is aided through the lost art of subtle acting and the usually non-existent talent for subtle direction allowing the intended humor to land directly and the emotional heart to enter gracefully. While Nebraska might be an engaging, humorous, and sweet amalgamation of Payne's previous works where the road trip element of Sideways meets the intimate family dynamic of The Descendants it's definitely a transition film for the quirky storyteller as it embraces a far more poetic and humanist side to the director's incredibly heartfelt style of filmmaking. It's difficult to say where exactly Nebraska will fall in Payne's established film canon but as it stands on its own it's a deeply lyrical reflection on the loss of time and a credible affirmation on the long enduring existence of hope.
More on this review: http://wp.me/py8op-Ck; Other reviews: generationfilm.net
45 of 64 people found this review helpful.
Was this review helpful to you?
| Report this