Faced with both her hot-tempered father's fading health and melting ice-caps that flood her ramshackle bayou community and unleash ancient aurochs, six-year-old Hushpuppy must learn the ways of courage and love.
U.S. Olympic wrestling champions and brothers Mark Schultz and Dave Schultz join "Team Foxcatcher", led by eccentric multi-millionaire John du Pont, as they train for the 1988 Olympic Games in Seoul, South Korea, but John's self-destructive behavior threatens to consume them all.
A high school teacher's personal life becomes complicated as he works with students during the school elections, particularly with an obsessive overachiever determined to become student body president.
Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
"NEBRASKA" is a father and son road trip, from Billings, Montana to Lincoln, Nebraska that gets waylaid at a small town in central Nebraska, where the father grew up and has scores to settle. Told with deadpan humor and a unique visual style, it's ultimately the story of a son trying to get through to a father he doesn't understand.Written by
All "coordinator" positions are listed as "coördinator" (with the dieresis over the second "o"). See more »
Alexander Payne claimed a color version was created in an effort to appease Paramount Vantage studio executives over releasing a black and white film. Although he had no plans or intentions of ever releasing it to the public, it was shown on premium movie channel Epix as a "World Color Premiere" at 10:00 pm EST on August 10, 2014, immediately following the 8:00 pm premiere of the black and white version. See more »
Written & Performed by Mark Orton
Courtesy of Camp Watertown Music See more »
On the road again.
It's been nine long years since Alexander Payne's top twenty worthy masterpiece Sideways and I can't shake off the feeling he has another one in him. He's an odd director with his contradictions, safe yet often unsafe, mature yet often silly, exciting yet mellow. I hoped The Descendants would be that film but my expectations were set far too high. While it's grown on me a little since I saw in the theater as I've accepted it's more of an observant drama than a sharp comedy, it's a relatively weak followup to Sideways. Unfortunately I've found that his older films are not good at all, Election disappointed me a lot and I thought About Schmidt was utterly pointless and charmless. I guess that's the main issue with his films, they feel too on- the-surface while it's surface is too low-key to be enough. Sideways manages to connect, but the others feel like their stories are in a bubble, isolated from us.
However, Nebraska has more than enough depth to go around. It may be low-key with its conflict and narrative drive, but its study on the American dream is fascinating. What draws middle-America to riches for nothing? It's become a part of our human condition to strive for that dream. I love films like these where its catalyst is farcical but its approach is mature and thoughtful. It makes you think about time, relationships and generations as our protagonist, played by Will Forte, investigates his father's past, taking that typical amateur detective mold of Payne's films. It's strange that I've recently been in the presence of my namesake's grave as Forte does too. The film regularly conjures deeply personal and specific feelings like that, but not without a great sense of humour, often coming from a silly place. However, it's just chuckles and sighs as the screenplay pulls its punches and holds back for a slighter effect. In a way it's admirable, feeling more honest, in another it's one step short of deep satisfaction. But it's certainly quite satisfying at the very least.
In Payne's films, they're usually about family but only follow part of the family. Nebraska is unusual as eventually the whole unit is together on Woody Grant's journey. The fantastic cast makes this chemistry work and there's an endearing nostalgic quality to see them together on screen. While Forte's character is a bit too passive for him to really shine, despite this being off-type for him, Bruce Dern definitely deserves his acclaim. His bitterness may come out with a snarling bite but he's utterly human and fragile. June Squibb is a welcome presence as she pumps energy into the film's second half, however it's the incredible cinematography steals the show, even beating this year's Gravity for me. The blocking is precise but organic and the shots of the clouds of Nebraska make my stomach sink with their profound beauty. Nebraska may be more intellectually stimulating than emotionally, but perhaps it'll get better on rewatch. Alexander Payne seems like fine wine anyway as his films get better and better.
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