Reminiscent of Sunset Boulevard, Hustler White transposes the action from the silver screen's old movie backlots to contemporary male prostitution and the porn industry. Said to be an homage to classic Hollywood cinema.
A young girl that regularly dresses as a boy falls in love and seduces a young girl that has no clue that her lover has the same sex. When the girl introduces 'her boyfriend' to her father ... See full summary »
Chris and RJ reunite five years after coming out to their families and their church as gay men, where the factors that led to their separation are revealed as they mourn the death of their mutual friend Rodney.
Four omnibus segments with interconnected sex related themes and overlapping characters: **** Segment 1- Diablo en Madrid (The Devil in Madrid): A diminutive devil (Allen King) emerges from... See full summary »
The Misandrists begins with Volker, a young man with an injured leg, stumbling through the forest, pursued by the police and their tracking dogs. When he emerges from the woods, he sees two... See full summary »
Zurich, 1956. The young teacher Ernst Ostertag falls head over heels in love with the transvestite star Robi Rapp and finds himself torn between his bourgeois existence and his commitment ... See full summary »
Martin, a young Argentine student, is exploring the reactions of his sports coach, Sebastian, while vying for his love and affection. He has an opportunity - one night to push the envelope ... See full summary »
Javier De Pietro,
Lake is an unusual boy: he is a young man with an old soul who discovers he has an odd fixation on the elderly. Realizing that some day, if fate allows, he will be one himself, he is particularly fascinated by old men. He imagines their age to be a beautiful thing and recognizes how these men were once young and vibrant and attractive, as he is now. Although Lake has a girlfriend his own age, named Desiree, he wonders sometimes if his fixation on old men is unnatural and unhealthy - perhaps even sexual. When his mother, who is a nurse, takes on a management job at an old folks home, Lake jumps at her offer of a summer job as an orderly there. Gradually, Lake comes to discover that the old people in the institution are being given psychotropic drugs to keep them in a catatonic state. Lake befriends one old man in particular, Mr. Peabody, who still seems to have some fight left in him. They begin to form a strong bond. Mr. Peabody charms Lake with romantic stories of his youth and ...Written by
Okay, I've been thinking about this a lot since the last time I saw you. What I want to tell you is, um, I think hat your doing and what you are is really brave. And the fact that you're acting on it, you know, like its revolutionary. All these ideas poeple have about, like, aging and beauty and what makes a person desirable, like, you're going against that. You're fighting against nature. And, do you see how radical that is?
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Bruce LaBruce's 'Gerontophilia' exists on one level as a bold and thoughtful exposé of the shocking treatment of geriatrics in some care homes, whereby they pass their days under heavy sedation so as to make them less of a problem to handle. Though well-scripted and acted, this theme is hardly novel, having been seen in many earlier films, including Henry Koster's delightful mixture of the tragic and comic in 'Mr Belvedere Rings The Bell'. What makes 'Gerontophilia' unique is its other level - an unusual account of the developing relationship between the octogenarian Mr Peabody (Walter Borden in a complex and completely convincing performance) and a youthful student, Lake, who decides to intervene and improve Peabody's quality of life. This decision is not, however, completely altruistic since Lake is one of that minority of young males who are turned on sexually by old men. It is to LaBruce's great credit that he treats this controversial subject with just the right amount of restraint, avoiding the lurid, but not being afraid to call a spade a spade. There are no actual lovemaking scenes in bed, but sufficient moments where Lake's attraction to old flesh is made manifest, at the film's ending through the medium of humour, earlier in a poignant scene where Lake sketches Peabody with, as one might say, no holds barred. The film of course has its flaws: Pier-Gabriel Lajoie as Lake is just too impossibly good-looking, though this is to some extent offset by the charisma of his performance and his unerring sense of fun. Also there's the suggestion, inferred rather than stated, that his curious sexual preferences stem from his relationship with his drunken mother, but this comes over as a trite rather than illuminating idea. These, however, are small matters. This movie is a charming and unpredictable insight into a sub-world which is not just French-Canadian but universal, and will be a welcome addition to the programmes of those art cinemas brave enough to show it.
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