A con man, Irving Rosenfeld, along with his seductive partner Sydney Prosser, is forced to work for a wild F.B.I. Agent, Richie DiMaso, who pushes them into a world of Jersey powerbrokers and the Mafia.
After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the co-founder who was later squeezed out of the business.
Navy S.E.A.L. sniper Chris Kyle's pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home to his wife and kids after four tours of duty, however, Chris finds that it is the war he can't leave behind.
Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
A fictional film set in the alluring world of one of the most stunning scandals to rock our nation, American Hustle tells the story of brilliant con man Irving Rosenfeld (Christian Bale), who along with his equally cunning and seductive British partner Sydney Prosser (Amy Adams) is forced to work for a wild FBI agent Richie DiMaso (Bradley Cooper). DiMaso pushes them into a world of Jersey powerbrokers and mafia that's as dangerous as it is enchanting. Jeremy Renner is Carmine Polito, the passionate, volatile, New Jersey political operator caught between the con-artists and Feds. Irving's unpredictable wife Rosalyn (Jennifer Lawrence) could be the one to pull the thread that brings the entire world crashing down.Written by
Sony Pictures Entertainment
This is the fourth time Christian Bale has undergone an incredible body transformation and the second time he has done so in a David O. Russell film. The first was in The Machinist (2004) (for which he became extremely skinny, losing sixty-three pounds). Then Rescue Dawn (2006) (lost fifty-five pounds) and The Fighter (2010) (lost thirty pounds). To achieve the physical traits of his character, he gained over forty pounds, got a combover and slouched his posture, and ended up herniating two of his disks in the process. See more »
When Sydney walks through the police station after being arrested in 1977, she passes FBI wanted posters for Patricia Hearst, who was apprehended in September of 1975, and Nancy Ling Perry, who killed by police in a shootout in February of 1974. See more »
What are you doing, going behind my back? Telling people I'm screwing up this operation? I got you a suite at the fucking Plaza Hotel.
The shittiest suite at the Plaza Hotel.
See more »
The film opens with the late 1970s Columbia Pictures logo, as well as 70s-stylized logos for Atlas Entertainment and Annapurna Pictures. See more »
The leaked Academy Awards DVDSCR had the following differences.
A line of alternate dialogue in a voice over.
A few digitally altered shots.
The scene where Irving and his wife arguing has been trimmed.
The scene immediately following that scene with Irving in the car is shorter as well.
This movie, while containing decent acting performances for the most part, was difficult and just not very enjoyable to watch. It felt as though it was in love with itself and its whole depiction of 70s east coast disco Guido "culture" when in fact it was just an empty, pointless piece of bombast not half as clever as it thought it was. It felt fake, contrived and half-baked from the first scene to the last, and as others have noted you just didn't care one bit about anyone on screen.
The performances were decent except for the lead FBI guy (sorry but neither his screen nor real name is worth looking up) who tended to overact. But ultimately the poor plotting & pacing and the cliché ridden visuals made this one I wish I would have missed; if there was ever a movie that proves how useless so-called professional critics are, this is it.
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