In the near future, a lonely writer develops an unlikely relationship with an operating system designed to meet his every need.In the near future, a lonely writer develops an unlikely relationship with an operating system designed to meet his every need.In the near future, a lonely writer develops an unlikely relationship with an operating system designed to meet his every need.
- Won 1 Oscar
- 83 wins & 187 nominations total
Scarlett Johansson
- Samantha
- (voice)
Lynn Adrianna Freedman
- Letter Writer #1
- (as Lynn Adrianna)
Artt Butler
- Text Voice
- (voice)
Kristen Wiig
- SexyKitten
- (voice)
Spike Jonze
- Alien Child
- (voice)
- (as Adam Spiegel)
Guy Lewis
- Marriage Counselor
- (as Dr. Guy Lewis)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A great film about loneliness. Splendid performance of Joaquin Phoenix. And pure poetry. Admirable poem about isolation, need of other, social surogate and , off course, freedom. Its basic virtue - the proposed questions creating perfect atmosphere , becoming inspired challenges to discover new perspectives.
"It has become appallingly obvious that our technology has exceeded our humanity." Albert Einstein
No better romance is on the screen in 2013 than Spike Jonze's insightful Her. It's about a writer in the future, Theodore, who falls in love with his new operating system (gravelly, sexy voice of Scarlett Johansson), just as he is reluctantly divorcing Catherine (Rooney Mara). The always complicated paths of love make sense as we witness the Platonic relationship develop, sans flesh and sans insanity that usually comes with that flesh.
Her is a simple film that offers a view of love I never thought could come from a machine and its software. Although critics will cite the theme as a screed against the distancing of technology and our growing isolation from each other, and they will be right, I offer the sub theme that only when we strip ourselves of sensual bonds can we see the purity of emotional love, an essence of which Plato would have approved. Yes, although technology is mediating our lives at a rapid pace, we fall back to a personal drive to love and be loved that is physical in its best form but understood best if we can distance ourselves from that physicality.
This delightfully intimate and non-violent film from acclaimed absurdist director Spike Jonze is more emotionally involving than even Enough Said (one of 2013's best romances) because the interaction between the software and the man is all verbal, no glimpse of the gorgeous Johansson allowed. Although this intuitive OS does allow mind sex, even that activity is abstract, allowing us to realize how connecting with a live human is in the mind still and one of life's great gifts, orgasm or not.
Her allows us to witness the evolution of love separate from the encumbrances of physicality. Released from the bonds of appearance, voice is the seducer, not in rude sexual nuance but rather in the care that comes from love of the mind, not the body.
K.K. Barrett's production design, Austin Gorg's art direction, and Gene Serdena's set decoration are memorable: full of comfortable light, much glass overlooking the city, and modern but warm furniture both in LA and Singapore. These artists understand that the fusion of technology and art is not a battle but a collaboration that further helps us understand the intricate workings of human emotion.
"Any sufficiently advanced technology is indistinguishable from magic." Arthur C. Clarke
No better romance is on the screen in 2013 than Spike Jonze's insightful Her. It's about a writer in the future, Theodore, who falls in love with his new operating system (gravelly, sexy voice of Scarlett Johansson), just as he is reluctantly divorcing Catherine (Rooney Mara). The always complicated paths of love make sense as we witness the Platonic relationship develop, sans flesh and sans insanity that usually comes with that flesh.
Her is a simple film that offers a view of love I never thought could come from a machine and its software. Although critics will cite the theme as a screed against the distancing of technology and our growing isolation from each other, and they will be right, I offer the sub theme that only when we strip ourselves of sensual bonds can we see the purity of emotional love, an essence of which Plato would have approved. Yes, although technology is mediating our lives at a rapid pace, we fall back to a personal drive to love and be loved that is physical in its best form but understood best if we can distance ourselves from that physicality.
This delightfully intimate and non-violent film from acclaimed absurdist director Spike Jonze is more emotionally involving than even Enough Said (one of 2013's best romances) because the interaction between the software and the man is all verbal, no glimpse of the gorgeous Johansson allowed. Although this intuitive OS does allow mind sex, even that activity is abstract, allowing us to realize how connecting with a live human is in the mind still and one of life's great gifts, orgasm or not.
Her allows us to witness the evolution of love separate from the encumbrances of physicality. Released from the bonds of appearance, voice is the seducer, not in rude sexual nuance but rather in the care that comes from love of the mind, not the body.
K.K. Barrett's production design, Austin Gorg's art direction, and Gene Serdena's set decoration are memorable: full of comfortable light, much glass overlooking the city, and modern but warm furniture both in LA and Singapore. These artists understand that the fusion of technology and art is not a battle but a collaboration that further helps us understand the intricate workings of human emotion.
"Any sufficiently advanced technology is indistinguishable from magic." Arthur C. Clarke
This film was not at all what I was expecting but in a great way! I'm not a fan of Rom Coms or romances generally, and this film isn't that, although it has romantic elements to a degree. This film is more sci-fi than anything with a really interesting and fascinating twist, but also creepy and unsettling concept of relationships with an artificial intelligence. This film was perfectly cast and I can't think of better individuals to play each role. Joaquin Phoenix and Scarlett Johansson do an incredible job!!!!!!! The film was paced perfectly and didn't drag at all. The film explores the themes of human interaction, emotional ranges of humans, the concept of love, companionship, loneliness, physical touch and so much more. I really enjoyed this film both for it's originality and the ability to make you sit in discomfort but want to explore further. This film makes you reflect on the relationships in your own life, life generally and the world as a whole. This film is beautiful in its cinematography, the musical score and I'm surprised it isn't more renowned. Honestly, a masterpiece in my opinion. HIGHLY RECOMMEND!!!
While I enjoy this movie for what it is, I simply have to disagree with all of those who portray this movie as some beautiful love story. This movie is about love, but it is not a love story. Without giving away any spoilers, if you want to understand the movie pay attention to the very last act of the main character when the movie ends. The movie is about relationships and how difficult human relationships especially can be. However in the end because we are human those are the only relationships we can truly have - are with each other - and the hurt and vulnerability and sometimes pain that come with them is simply something we have to accept. And no matter how much you love or care for a person sometimes it just doesn't work out. However that does not mean that you did not love or care for that person and to a certain extent will always. This is what the main character realizes and comes to understand at the end of the movie.
"Her" is a film set in the very, very near future. Theodore (Joaquin Phoenix) is a very lonely and emotionally constricted man. He's getting a divorce and seems very isolated--even though he lives in a huge city. One day, he decides to upgrade to a new hyper-intelligent operating system--one that claims to have a real personality. Well, it turns out to be so and then some. In fact, the computer OS, Samantha (Scarlett Johansson), is like a person in so many ways that soon it becomes all- important to Theodore and eventually it's his girlfriend. Where all this goes is a very slow journey, but it's also quite beautiful.
This film, while sci-fi, doesn't seem outside the realm of possibility. In this often disconnected and cold world, such a relationship seems like a safe alternative. Healthy, of course not--but very safe for a scarred person who wants intimacy but who is afraid to seek it. I thought the film had a really interesting message about this and is well worth seeing. My only reservation is that the film is VERY adult--with phone sex and a bit of nudity you probably wouldn't want your kids to see. Plus, at times the film feels a bit creepy. Good...but a bit sad and creepy. Well worth your time and an interesting performance by Phoenix and a really amazing film by Spike Jonze.
This film, while sci-fi, doesn't seem outside the realm of possibility. In this often disconnected and cold world, such a relationship seems like a safe alternative. Healthy, of course not--but very safe for a scarred person who wants intimacy but who is afraid to seek it. I thought the film had a really interesting message about this and is well worth seeing. My only reservation is that the film is VERY adult--with phone sex and a bit of nudity you probably wouldn't want your kids to see. Plus, at times the film feels a bit creepy. Good...but a bit sad and creepy. Well worth your time and an interesting performance by Phoenix and a really amazing film by Spike Jonze.
Storyline
Did you know
- TriviaSamantha Morton was originally the voice of Samantha. She was present on the set with Joaquin Phoenix every day. After the filming wrapped and Spike Jonze started editing the movie, he felt like something was not right. With Morton's blessing, he decided to recast the role and Scarlett Johansson was brought and replaced Morton, re-recording all the dialogue.
- GoofsWhen Theodore is lying in the couch at Amy's house there is a crew member behind Amy in the shadow.
- Crazy credits"Leanne Shapton...... Armpit Sex Drawing"
- ConnectionsFeatured in The Tonight Show with Jay Leno: Episode #22.51 (2013)
- SoundtracksOff You
Written by Kim Deal
Performed by The Breeders
Courtesy of Elektra Entertainment Group and 4AD
By arrangement with Warner Music Group Film & TV Licensing and Beggars Group Media Limited
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Details
Box office
- Budget
- $23,000,000 (estimated)
- Gross US & Canada
- $25,568,251
- Opening weekend US & Canada
- $260,382
- Dec 22, 2013
- Gross worldwide
- $48,274,727
- Runtime2 hours 6 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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