A New York woman (who doesn't really have an apartment) apprentices for a dance company (though she's not really a dancer) and throws herself headlong into her dreams, even as the possibility of realizing them dwindles.
Margot and her son Claude decide to visit her sister Pauline after she announces that she is marrying less-than-impressive Malcolm. In short order, the storm the sisters create leaves behind a mess of thrashed relationships and exposed family secrets.
Jennifer Jason Leigh,
Josh Srebnick is 44. He is married to Cornelia, 43, the daughter of Leslie Breitbart, a respected documentary filmmaker. The couple lives comfortably in New York Village and gives the image of happiness. But things are not so rosy as they look: on a personal level, their relationships have been cooling down while they suffer from not having children. On a professional plane, things have deteriorated as well. Josh, who is also a documentary filmmaker like his father-in-law, has lost inspiration: he has been grappling with his last movie for eight years now without being able to complete it. To be true, Josh goes nowhere and his marriage is on the rocks. Things start changing when Josh and Cornelia meet another married pair: Jamie and Darby, a generation younger, express their admiration for Josh (Jamie wishing to become a documentary filmmaker himself). Plus, they are much cooler, smarter and more uninhibited than the two forty-odds. Could they help Josh and Cornelia to revive their ...Written by
Jamie & Darby have a chicken named "Nico"; director Noah Baumbach's younger brother is Nico Baumbach, who appears as a guest at Fletcher & Marina's party. Nico Baumbach's wife, Annie Baker, appears as Marina's friend Elise. See more »
Let's have kids.
I don't want this to be 'Every time you take a hallucinogen you want to have a baby'.
Not every time.
See more »
While We're Young is mainly about comparing between two current generations. A typical comedy would normally make it a silly opposition about which one is better, but the movie doesn't make that as a conflict at all. The movie is more concerned on how its main characters acknowledge that they're at the point of a mid-life and finding a way ignore that by interacting a younger crowd. It's simply engaging stuff, almost devoid from the common comedy movie formula until the third act went through some climax that feels different from its more sincere setup, but even with that conventional turn, the film continues to be clever and sticks to its whole theme.
It starts with the childless main couple beginning to realize their age and almost makes a big deal about it until they discover how youth today actually live their lives after befriending with a younger couple and try to exchange each other's medium and lifestyle from the time they grew up with. The most typical way to treat this idea is to aim their new behavior for laughs or go against the other generation, but the movie rather takes it simple by just having them tag along with both of their interests. It may not be too sensational, but it gives a pleasantly charming feel within those interactions. There is still a sense of division between the generations, like how their peers couldn't relate to their new appeal. It kind of jokes about how odd cultures have gone, but the movie doesn't want to be too critical about it either and remains understanding both sides, anyway.
There is also a side story that involves their work as filmmakers of documentary and the movie still explores its main idea by showing how even the ethics of their industry have changed. And this leads to a third act that often exists in generic comedies, but the movie doesn't take those sequences as a punchline. Though, most of that part feels like it's shifting into a whole new topic, but as it turns out, it actually tries to build up a more reasonable contrast between the perspectives of the young and the old. When you think it's going to be in a clichéd direction, it's the writing that keeps things authentic. The acting are thoroughly natural on what they do. Ben Stiller and Naomi Watts are as likable as always, while Adam Driver and Amanda Seyfried bring the charm in their characters.
While We're Young is pretty likable, even when it leads to a weirdly contrived conclusion, but either way, it still works, thanks to its genuinely charming performances and smart writing that has the right intention. The characters are rather fascinated at these hobbies and things that are popular from each other's generations, than making it a serious competition for themselves. But it still concerns at a person's mindsets and change of attitude due to age, which somehow becomes the actual conflict of the story. In the end, it finds a good heart anyway, and it's quite interesting to just see the distinction, but also the similar appeal between these featured generations.
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