A New York woman (who doesn't really have an apartment) apprentices for a dance company (though she's not really a dancer) and throws herself headlong into her dreams, even as the possibility of realizing them dwindles.
Margot and her son Claude decide to visit her sister Pauline after she announces that she is marrying less-than-impressive Malcolm. In short order, the storm the sisters create leaves behind a mess of thrashed relationships and exposed family secrets.
Jennifer Jason Leigh,
After college graduation, Grover's girlfriend Jane tells him she's moving to Prague to study writing. Grover declines to accompany her, deciding instead to move in with several friends, all... See full summary »
Josh Srebnick is 44. He is married to Cornelia, 43, the daughter of Leslie Breitbart, a respected documentary filmmaker. The couple lives comfortably in New York Village and gives the image of happiness. But things are not so rosy as they look: on a personal level, their relationships have been cooling down while they suffer from not having children. On a professional plane, things have deteriorated as well. Josh, who is also a documentary filmmaker like his father-in-law, has lost inspiration: he has been grappling with his last movie for eight years now without being able to complete it. To be true, Josh goes nowhere and his marriage is on the rocks. Things start changing when Josh and Cornelia meet another married pair: Jamie and Darby, a generation younger, express their admiration for Josh (Jamie wishing to become a documentary filmmaker himself). Plus, they are much cooler, smarter and more uninhibited than the two forty-odds. Could they help Josh and Cornelia to revive their ...Written by
So I get what the film was aiming for, but I've gotta say, I'm incredibly shocked by its critical reception. I don't think it's "bad", really, but just thoroughly mediocre and really obnoxious. I don't know why, but something about it came off so incredibly forced and fake. It has some good acting and none of it is offensive or anything, but something about it annoyed me in a way I can't really pinpoint. I love Naomi Watts, but she was part of the problem. There just wasn't any synchrony between the performers I don't think. Either that or between their performances and the tone the film was aiming for. I'm perplexed because none of it I can really put my finger on, except that there is absolutely nothing of real note or anything that will be memorable even a day after watching it (well, that's not true, since I saw it a day ago). Not worth it
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