
Kill List (2011)
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- Not Rated
- 1h 35min
- Crime, Drama
- 02 Sep 2011 (UK)
- Movie
Nearly a year after a botched job, a hitman takes a new assignment with the promise of a big payoff for three killings. What starts off as an easy task soon unravels, sending the killer into the heart of darkness.
Director:
Writers:
Stars:
Awards:
- 3 wins & 18 nominations.
- See more »
Reviews:
Photos and Videos
Cast
Neil Maskell | ... |
Jay
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MyAnna Buring | ... |
Shel
(as Myanna Buring)
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Harry Simpson | ... |
Sam
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Michael Smiley | ... |
Gal
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Emma Fryer | ... |
Fiona
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Struan Rodger | ... |
The Client
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Esme Folley | ... |
Hotel Receptionist
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Ben Crompton | ... |
Justin
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Gemma Lise Thornton | ... |
Kiera
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Robin Hill | ... |
Stuart
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Zoe Simone Thomas | ... |
Hotel Waitress
(as Zoe Thomas)
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Gareth Tunley | ... |
The Priest
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Jamelle Ola | ... |
Hotel Receptionist 2
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Mark Kempner | ... |
The Librarian
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Damien Thomas | ... |
The Doctor
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Lora Evans | ... |
Thorn Blindfold Woman
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Robert Hill | ... |
High Priest
(as Bob Hill)
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Rebecca Holmes | ... |
The Bride
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James Nickerson | ... |
MP
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David Bowen | ... |
Father of the Bride
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Sara Dee | ... |
News Reader
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Alice Lowe | ... |
Radio Reporter
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Steve Oram | ... |
Radio Reporter
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Tom Adcock | ... |
Procession Member
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Niki Jones | ... |
Procession Member
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Chaelyn Allcock | ... |
Procession Member
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Nick Lea | ... |
Procession Member
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James Bateson | ... |
Procession Member
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Ann Lomax | ... |
Procession Member
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Alex Blake | ... |
Procession Member
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Keith Lomax | ... |
Procession Member
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John Chappell | ... |
Procession Member
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Lauren Maile-Wilson | ... |
Procession Member
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Frenchie Cowley | ... |
Procession Member
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David Mares | ... |
Procession Member
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Glynn Davies | ... |
Procession Member
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Jimmy May | ... |
Procession Member
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Shane Fitzsimmons | ... |
Procession Member
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Dave McKinley | ... |
Procession Member
(as Dave Mckinley)
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Katya Galiana-Philip | ... |
Procession Member
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Emily McKinley | ... |
Procession Member
(as Emily Mckinley)
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Brian Gaugan | ... |
Procession Member
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Richard Mileham | ... |
Procession Member
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Lorna Gladhill | ... |
Procession Member
(as Lorna Gladhll)
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Josh Moore | ... |
Procession Member
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Alice Harrand | ... |
Procession Member
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Hannah Murton | ... |
Procession Member
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Bianca Hay | ... |
Procession Member
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Stephen Rawsley | ... |
Procession Member
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Karl Halliwell | ... |
Procession Member
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Hannah Renton | ... |
Procession Member
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Josh Honeybourne | ... |
Procession Member
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Simon Smith | ... |
Procession Member
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Ciaran Humphries | ... |
Procession Member
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Andy Stirling | ... |
Procession Member
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Gareth James | ... |
Procession Member
(as Gareth Ian James)
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Ann Turner | ... |
Procession Member
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Lucie James | ... |
Procession Member
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Dennis Turner | ... |
Procession Member
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Alex Janczenia | ... |
Procession Member
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Janice Worsley | ... |
Procession Member
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Jennifer Andrews | ... |
Additional Cast
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Nadine Lloyd | ... |
Additional Cast
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Ken Birch | ... |
Additional Cast
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Joy Palmer | ... |
Additional Cast
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Janice Bird | ... |
Additional Cast
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Stephen Preston | ... |
Additional Cast
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Edward Booth | ... |
Additional Cast
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Aahid Rasool | ... |
Additional Cast
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Joan Cooper | ... |
Additional Cast
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Lee Steele | ... |
Additional Cast
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Lynn Copperfield | ... |
Additional Cast
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John Striker | ... |
Additional Cast
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David Charles Denwood | ... |
Additional Cast
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Richard Stocks | ... |
Additional Cast
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Daphne Eland | ... |
Additional Cast
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Lyn Wesson | ... |
Additional Cast
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Sharron Hardy | ... |
Additional Cast
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Stuart Webb | ... |
Additional Cast
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Pat Kelly | ... |
Additional Cast
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Dorothy Webb | ... |
Additional Cast
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Rest of cast listed alphabetically: | |||
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Tom Jenkins | ... |
Dead Man (uncredited)
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Claire Jones | ... |
Hotel Receptionist (uncredited)
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Gareth Jones | ... |
Beaten Man (uncredited)
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Andrew Starke | ... |
Jacuzzi Repairman (uncredited)
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Directed by
Ben Wheatley |
Written by
Ben Wheatley | ... | (written by) and |
Amy Jump | ... | (written by) |
Produced by
Katherine Butler | ... | executive producer |
Ally Gipps | ... | associate producer |
Robin Gutch | ... | executive producer |
Hugo Heppell | ... | executive producer |
Claire Jones | ... | producer (produced by) |
Barry Ryan | ... | co-producer |
Andrew Starke | ... | producer (produced by) (as Andy Starke) |
Music by
Jim Williams | ... | (music) |
Cinematography by
Laurie Rose | ... | director of photography |
Editing by
Robin Hill | ... | (edited by) |
Amy Jump | ... | (edited with) |
Ben Wheatley | ... | (edited with) |
Editorial Department
Chris Brown | ... | assistant editor |
Louise Channing | ... | post-production facilities: The Farm |
Tonia Cohen | ... | neg check: Capello |
Ian Dodd | ... | post-production facilities: The Farm |
Perry Gibbs | ... | digital intermediate colourist |
Alice Harrand | ... | second assistant editor |
Barney Jordan | ... | online editor |
Rahat Kulshreshtha | ... | post-production co-ordinator: Warp X |
Mandy Miller | ... | post production paperwork |
Casting By
Ali Fearnley | ... | (casting) |
Production Design by
David Butterworth |
Art Direction by
Julie Ann Horan | ||
Nick Wilkinson | ... | supervising art director |
Costume Design by
Lance Milligan |
Makeup Department
Mike H.G. Bates | ... | prosthetic makeup artist |
Patt Foad | ... | make up assistant (as Pat Foad) / special makeup effects artist |
Fiona Lavin | ... | hair design / make up design |
Mike Stringer | ... | special make-up: Hybrid Design |
Production Management
Lizzie Francke | ... | senior production executive: UK Film Council |
Tom Jenkins | ... | unit manager |
Tracey Josephs | ... | head of production: Film4 |
Fiona Lamptey | ... | production manager: Film4 |
Kate Larking | ... | production manager |
Fiona Morham | ... | head of production: UK Film Council |
Barry Ryan | ... | head of production: Warp X |
Second Unit Director or Assistant Director
Sebastian Hendry | ... | third assistant director |
James Sharpe | ... | first assistant director |
Art Department
Malcolm Gilbert | ... | construction manager |
Cyriak Harris | ... | graphics |
Philiy Page | ... | assistant props buyer |
Adrian Pullen | ... | set painter |
Matt Risby | ... | construction assistant (as Matt Risbey) |
Caine Shirovay | ... | prop hand |
Nigel Tandy | ... | set painter |
Sound Department
Ben Collinson | ... | boom operator |
Rob Entwistle | ... | sound recordist |
Tony Moller | ... | re-recording mixer |
Martin Pavey | ... | sound design |
Richard Stockdale | ... | dolby sound consultant (uncredited) |
Special Effects by
Ben Ashmore | ... | special effects supervisor |
Claire Ashmore | ... | special effects co-ordinator |
Daniel Bentley | ... | special effects technician |
William Johnston | ... | special effects technician |
Matthew Strange | ... | lead armourer |
Mike Stringer | ... | prosthetics: Hybrid Design |
Mike Wild | ... | armourer |
Visual Effects by
Jim Allen | ... | flame operator: Big Buoy |
Ian Harland | ... | VFX post-producer: Big Buoy |
Christopher Taylor | ... | VFX compositor: Big Buoy (as Chris Taylor) |
Stunts
Glenn Marks | ... | stunt co-ordinator |
Camera and Electrical Department
John Cartwright | ... | balloon light operator |
Nick Gillespie | ... | first assistant camera / stills |
Neil Lammond | ... | jib operator |
Terry Maskell | ... | chief lighting technician |
Steve May | ... | lighting equipment: Provision |
Rob Mitchell | ... | video overlay |
Jason Rayton | ... | data wrangler |
Fraser Roe | ... | lighting assistant |
Howard Roe | ... | genny op |
Rob Shaw | ... | second assistant camera (as Robert Shaw) |
Jon Spencer | ... | lighting equipment: Provision |
Tracey Welch | ... | stills |
Ben Wheatley | ... | stills |
Nigel Woodford | ... | lens hire: Camulet |
Luke Wray-Rogers | ... | camera equipment: Provision (as Luke Wray) |
Casting Department
Paula McKie | ... | extras casting (as Paula Mckie) |
Mohsan Qureshi | ... | extras casting |
Costume and Wardrobe Department
Hayley Neil | ... | costume assistant |
Location Management
Nick Girvan | ... | locations scout |
Nadia Hall | ... | locations scout |
Tom Jenkins | ... | locations manager |
Music Department
Lisa Abbot | ... | vocals |
Joan Armatrading | ... | written by: "It Could Have Been Better" |
Ian Belton | ... | violin |
Paul Golding | ... | music mix engineer |
Pam Nestor | ... | written by: "It Could Have Been Better" |
Script and Continuity Department
Anita Christy | ... | continuity / script supervisor |
Samantha Warner | ... | continuity / script supervisor |
Transportation Department
Ian Kitchingman | ... | facilities: Amro Facilities (as Ian Kitchingham) |
George Morris | ... | action vehicles |
Additional Crew
Chaelyn Allcock | ... | production intern |
Geraldine Atlee | ... | senior business affairs executive: UK Film Council |
Nicky Ball | ... | crew development manager: Screen Yorkshire / freelance development manager: Screen Yorkshire |
Bob Barker | ... | unit medic |
Chris Besseling | ... | uk senior marketing manager: studiocanal |
Daniel Bird | ... | EPK / production runner |
Sue Bruce-Smith | ... | head of commercial development: Film4 |
Sue Clark | ... | animal handler |
Darren Conway | ... | production runner |
Leonard Crooks | ... | head of New Cinema Fund: UK Film Council |
Jude Goldrei | ... | production assistant |
Robin Gutch | ... | managing director: Warp X |
Sebastian Hendry | ... | runner |
Nick Hodson | ... | assistant accountant |
Chris Hordley | ... | production liaison manager: Screen Yorkshire |
Lucie James | ... | production intern |
David Johnstone | ... | production insurance: Media Insurance Brokers |
Gareth Jones | ... | production accountant |
Jen Kenwood | ... | development associate: Warp X |
Ian 'Fingers' Lisi | ... | unit security (as Ian Lisi) |
Louise Long | ... | business affairs: Film4 |
Alex Marshall | ... | head of commercial & business affairs: Warp X |
James Penny | ... | legal services: Rook Films |
Amanda Pyne | ... | production finance: UK Film Council |
Jim Richardson | ... | head of production support: Screen Yorkshire |
Mark Russell | ... | radios: Audiolink |
Niall Shamma | ... | head of finance: Warp X |
Chris Smith | ... | unit medic |
Mark Stratton | ... | unit security |
Michael D. Walsh | ... | assistant production coordinator |
Kate Wilson | ... | legal services: Warp X |
Huma Khan | ... | legal post production (uncredited) |
Thanks
Michael Braddick | ... | special thanks: The University of Sheffield (as Mike Braddick) |
Andrew Deighan | ... | special thanks: The Aston Hotel |
Adam Diskin | ... | special thanks |
Jeremy Diskin | ... | special thanks: Burngreave New Deal for Communities |
Chris Hale | ... | special thanks |
Mark Herbert | ... | special thanks |
Sue Hubbard | ... | special thanks: The University of Sheffield |
Andy Roberts | ... | special thanks |
Ange Roberts | ... | special thanks |
Tom Roberts | ... | special thanks |
Paul Simpson | ... | special thanks |
Jonathan Tester | ... | special thanks: Bucks Music |
Pete Tombs | ... | special thanks |
Dave Winstanley | ... | special thanks: The Showroom Cinema Sheffield |
Hugo Young | ... | special thanks |
Production Companies
- Senator Film Produktion
- UK Film Council
- The National Lottery
- Film4
- Screen Yorkshire
- UK Film Council (present)
- Film4 (present)
- Screen Yorkshire (in association with)
- Warp X (production)
- Rook Films (production)
- Ben Wheatley (a film by)
- Warp X (production)
- Rook Films (production)
- Film4 (for)
- UK Film Council (for)
- Screen Yorkshire (for)
- NonStop Entertainment (in association with)
- Madman Entertainment (in association with)
- UK Film Council's New Cinema Fund (made with the support of the)
- Screen Yorkshire Production Fund (made with the support of the)
- Film4 (developed with the assistance of)
Distributors
- Cinéart (2013) (Belgium) (theatrical)
- Cinéart (2013) (Netherlands) (theatrical)
- IFC Films (2011) (United States) (theatrical)
- IFC Midnight (2011) (United States) (theatrical)
- Le Pacte (2012) (France) (theatrical)
- Optimum Releasing (2011) (United Kingdom) (theatrical)
- Wild Side Films (2012) (France) (theatrical)
- Cinemax (2012) (Hungary) (tv)
- Film1 (2013) (Netherlands) (tv) (limited)
- Front Row Filmed Entertainment (2011) (United Arab Emirates) (Middle East)
- Madman Entertainment (2011) (Australia)
- PFA Films (2013) (Italy)
- Senator Home Entertainment (2012) (Germany) (DVD)
- Transformer (2012) (Japan) (DVD)
- Twin Pics (2013) (Netherlands) (DVD)
- Twin Pics (2013) (Netherlands) (Blu-ray) (DVD)
- Viceland (2017) (Netherlands) (tv)
Special Effects
- Hybrid Enterprises (special make-up)
- Hybrid Enterprises (prosthetics)
- Future Effects
Other Companies
- Studio Armoury (armourers)
- Big Buoy (visual effects & VFX post-producer)
- Big Buoy (flame operator & VFX compositor)
- The Farm (post-production facilities)
- MPMP / The Power Loft (sound mixed at)
- Protagonist Pictures (international sales)
- Freeway CAM B.V. (world revenues collected & distributed by)
- Film4 (head of production & production manager)
- Film4 (business affairs & head of commercial development)
- UK Film Council (senior production executive & senior business affairs executive)
- UK Film Council (head of production & production finance)
- Screen Yorkshire (production liaison manager & crew development manager)
- Screen Yorkshire (freelance development manager & head of production support)
- Warp X (managing director & head of production)
- Warp X (head of commercial & business affairs)
- Warp X (head of finance & development associate)
- Warp X (post-production co-ordinator & legal services)
- Rook Films (legal services)
- Media Insurance Brokers (MIB) (production insurance)
- Capello (neg check)
- Ace Film Catering (catering)
- Amro Facilities (facilities)
- ProVision Leeds (camera equipment)
- Calumet (lens hire)
- Richmond Film Services (audio equipment)
- Audiolink Radio Communications (radios)
- ProVision Leeds (lighting equipment)
- Sheffield City Lettings (accommodation)
- Forget the Hotel, Sheffield (accommodation)
- Jurys Inn, Sheffield (accommodation)
- Onward Music (published by: "It Could Have Been Better")
- Bucks Music Group (published by: "It Could Have Been Better")
- Onward Music (recording courtesy of: "It Could Have Been Better")
- Tuesday Productions (recording courtesy of: "It Could Have Been Better")
- Aim Image (special thanks)
- Bungalows and Bears, Sheffield (special thanks)
- Aston Hall Hotel, Rotherham (special thanks)
- Sheffield Park Hotel (special thanks)
- Bucks Music Group (special thanks)
- Showroom Cinema, Sheffield (special thanks)
- University of Sheffield (special thanks)
- Burngreave New Deal for Communities (special thanks)
- UK Film Council (logo)
- Screen Yorkshire (logo)
- Yorkshire Forward (logo: supported by)
- European Union (logo)
- Film4 (logo)
- UK Film Council (logo)
- The National Lottery (logo)
- Warp X (logo)
- Rook Films (logo)
- Protagonist Pictures (logo)
- Low Budget Feature Film Scheme (acknowledgement)
- UK Film Council (is an initiative of)
- Film4 (is an initiative of)
- Screen Yorkshire (is an initiative of)
- Optimum Releasing (is an initiative of)
- Channel Four Television (copyright: 2011)
- UK Film Council (copyright: 2011)
- Warp X (copyright: 2011)
- Rook Films (copyright: 2011)
- Dolby Laboratories (sound mix)
- South By Southwest Film Festival (SXSW) (festival)
- Visual Icon (exclusive clip and still licensing)
Storyline
Plot Summary | |
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Parents Guide | View content advisory » |
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Additional Details
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Official Sites | |
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Box Office
Budget | GBP500,000 (estimated) |
Did You Know?
Trivia | Shel's phone-call (in Swedish) was entirely improvised by MyAnna Buring. The filmmakers had no idea what she said until much later. See more » |
Goofs | In one of the scenes where the Jay, Shel, Gal and Fiona are drinking, there is a close up of a wine bottle and some glasses. The bottle says it is a pinot grigio, but the wine in the glasses is red and they are only ever shown drinking red wine. See more » |
Movie Connections | Featured in Top 10 Brutal Movie Beatings (2014). See more » |
Soundtracks | It Could Have Been Better See more » |
Quotes |
Jay:
You're giving me indigestion. Justin: Oh, sorry. Jay: Apology accepted. Justin: Sometimes God's love can be hard to swallow. Jay: Not as hard as a dinner plate. Justin: God loves you. Jay: Does he? Well, tell God from me if you're the kind of people he hangs about with, stay out of my way. No more guitar, mate. Not in restaurants. There is a time and a place. And your time and place is in a very isolated location, where no-one is likely to be for about a fucking hundred years. Ok? Because Jimmy Hendrix you ain't. Gal: Very sorry about my friend, please accept my most humble apologies. And if you are speaking to the big man, put a word in for us, will you? Get them all a drink, love. Double orange juices all around. See more » |