Three young women face seven years in a Russian prison for a satirical performance in a Moscow cathedral. But who is really on trial in a case that has gripped the nation and the world ... See full summary »
David Markey's documentary of life on the road with Sonic Youth and Nirvana during their tour of Europe in late 1991. Also featuring live performances by Dinosaur Jr, Babes In Toyland, The ... See full summary »
Big Star: Nothing Can Hurt Me is a feature-length documentary film about the dismal commercial failure, subsequent massive critical acclaim, and enduring legacy of pop music's greatest cult phenomenon, Big Star.
As the front man of the Clash from 1977 onwards, Joe Strummer changed people's lives forever. Four years after his death, his influence reaches out around the world, more strongly now than ... See full summary »
A documentary on the once-promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols, and the friendship/rivalry between their respective founders, Anton Newcombe and Courtney Taylor.
I just think there's this certain assumption that when a man tells the truth, it's the truth. And when, as a woman, I go to tell the truth, I feel like I have to negotiate the way I'll be perceived. Like I feel like there's always the suspicion around a woman's truth. The idea that you're exaggerating.
See more »
Much-needed documentary...not only about Kathleen Hanna, but of the indie-punk music scene in the early '90s
Excellent documentary from director Sini Anderson on Bikini Kill/Le Tigre front woman Kathleen Hanna, who dropped out of the music biz in 2005 after contracting late-stage Lyme disease (but who kept her disappearance mysterious, hardly disclosing her illness to anyone). A rage-filled college girl from Olympia, Washington, Hanna was a rabid feminist with a troubled childhood whose jagged fanzine art and spoken word rants eclipsed into musical genius with her first band, Bikini Kill. Although not for the faint-of-heart, Bikini Kill (three females, one male) were instrumental in leading the Riot Grrrl movement of the early 1990s. Testimonials from Hanna's peers (including members of Bratmobile and Sleater-Kinney, Kim Gordon from Sonic Youth and Joan Jett, who produced Bikini Kill's most proficient EP) help fill in some of the personality gaps, yet when Anderson just allows Hanna to speak--and when the musician opens up, she's quite candid--the results are fascinating, most especially for fans. Also interesting: the potentially-explosive paradox of a young, hardcore feminist who finds true love (and eventually marriage) with a male kindred spirit, Adam Horovitz of the Beastie Boys. *** from ****
2 of 4 people found this review helpful.
Was this review helpful to you?
| Report this