Elvis Presley and a black "JFK" stay in a nursing home where nothing happens - until a wayward Egyptian mummy comes and sucks out the old people's souls thru their a-holes. The two decide to fight back.
A bunch of city slickers from different backgrounds go into the wild mountains to be one with nature, but basically to have a good time. However, a paramilitary group has chosen the same ... See full summary »
Don Coscarelli has a knack for seeing the world through the eyes and heart of a young boy. He offers a Peter Pan-esque adventure to men from the boomers to present day, with each generation being introduced to a more innocent time.
It's a drug that promises an out-of-body experience with each hit. On the street they call it Soy Sauce, and users drift across time and dimensions. But some who come back are no longer human. Suddenly a silent otherworldly invasion is underway, and mankind needs a hero. What it gets instead is John and David, a pair of college dropouts who can barely hold down jobs. Can these two stop the oncoming horror in time to save humanity? No. No, they can't.Written by
After Dave meets Robert Marley, the boys have a discussion in "Hot-n-Tot Cafe." This name is a play on the word Hottentot, which was how early Europeans referred to the Khoikhoi people of Southwest Africa when they first encountered them in the 17th century. The name Hottentot was given to them by Europeans because of how they thought the language sounded. It is unclear as to why this name was used in the scene. The scene was shot at a real diner with the same name, located at 2347 Pacific Coast Highway in Lomita, CA. See more »
When Dave pours gasoline on the bloodstained couch in Robert Marley's trailer, in the next shot there is no blood on the couch. See more »
Solving the following riddle will reveal the awful secret behind the universe, assuming you do not go utterly mad in the attempt.
Say you have an ax - just a cheap one from Home Depot.
[slow zoom in on man chopping]
On one bitter winter day, you use said ax to behead a man. Don't worry, the man's already dead. Maybe you should worry, 'cause you're the one who shot him. He'd been a big twitchy guy with veined skin stretched over swollen biceps, tattoo of a swastika on his tongue. And ...
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"This motion picture photoplay is protected pursuant To the provisions of the laws of The united states of america and other countries. Any unauthorized duplication and/or distribution Of this photoplay may result in civil liability, Criminal prosecution and the wrath of korrok." See more »
The original ending was a TV interview with Marconi. It was deemed anticlimactic by the filmmakers according to their DVD commentary. This, and other deleted scenes, are included on the DVD release. See more »
All of the "style" with none of the "substance"...
Just caught an early screening of JDaTE at the Philly Film Festival... and I can't say I wasn't disappointed.
The book is one of my favorites, so needless to say I loved the source material and was especially amped for the film having just finished the John and Dave sequel, This Book is Full of Spider. I also really enjoyed Coscarelli's Bubba Ho-Tep and thought he would be a great director for this franchise.
So where did it all go wrong? And what did it do well enough to still garner a 6 or 6.5 rating?
For starters, the acting was very good; especially for relying on two unknowns to carry the picture. Both Williamson and Mayes really nailed their roles down to the smallest idiosyncrasies of character. Paul Giamatti was his usual, solid self and everyone else either died quick enough or had their character lobotomized so much, that their performances didn't really matter.
The film also did a great job of harnessing the bodily humor and slacker hi-jinx that made JDaTE such a hilarious novel.
Which leads me to where they failed... one of the biggest shortcomings has to do with a deficiency of the novel, which is pacing. JDaTE is really a few stories woven together by a thin overarching plot. Coscarelli stayed almost 100% faithful to the source material, but just lifted different scenes from each segment of the story and patchwork it into one nearly nonsensical film (this is a very apparent problem, since once the movie deviates from the order of the book, things start to really go down the tube.)
Being a fan of the book, I have to wonder why Coscarelli didn't just stick to the first "story" that ends in Las Vegas. Instead we get elements of other parts, including a kind of cheesy and dumbed down version of Korrok.
Along the way basically all character development aside from Dave get shaved out of the story, the biggest being the awful portrayal of Amy... who was nothing more than eye candy in the film (a fresh feature of the novel was her joyfully written character, who was 1000x more attractive despite being described as looking plain.)
But plot and character wasn't the only things that Coscarelli short changed. For a horror comedy, there was little to no horror! One of the spectacular qualities of the novel was the ability to scare you one moment and have you laughing out loud the next. The adaptation was really a one trick pony, a comedy with monsters.
So I'm going to be one of those guys and recommend that you skip the movie and check out the book. If you've already read Wong's work (Jason Pargin) check it out and enjoy it for the fun cheese factor, but don't expect anywhere near the depth that the novel provides.
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