Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
In 1874, in the Imperial Russia, the aristocratic Anna Karenina travels from Saint Petersburg to Moscow to save the marriage of her brother Prince Oblonsky, who had had a love affair with his housemaid. Anna Karenina has a cold marriage with her husband, Count Alexei Karenin, and they have a son. Anna meets the cavalry officer Count Vronsky at the train station and they feel attracted by each other. Soon she learns that Vronsky will propose to Kitty, who is the younger sister of her sister-in-law Dolly. Anna satisfactorily resolves the infidelity case of her brother and Kitty invites her to stay for the ball. However, Anna Karenina and Vronsky dance in the ball, calling the attention of the conservative society. Soon they have a love affair that will lead Anna Karenina to a tragic fate.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Inspired by Orlando Figes's 2002 production of Natasha's Dance, Joe Wright adopted an experimental approach to convey the essence of the story. The majority of the film was shot on a "run-down" theater built from scratch in Shepperton. Locations such as a skating rink, train station and stables were dressed on top of the theater. To create fluid linearity, doors open onto Russian landscapes; some actors walk from one set to another under the stage. For cutaway wide exterior shots, toy trains and doll houses were used. The only main cast member who is allowed to venture out of the theater is Domhnall Gleeson (Levin) because Wright wanted to amplify the fact that Levin is the only authentic character in the group. See more »
The movie opens in "1875 Imperial Russia". A few minutes later, a self-propelled model train is seen in action. Clockwork model trains were first introduced by the pioneering German toy company Marklin in 1891. See more »
If your prime reaction to a film is one of disappointment there are usually some good reasons. My principal response to this version of a great and well-known story is one of irritation. The overblown theatrical format of the film gets in the way of character and dramatic development, to the point where you're aware of a director proclaiming "aren't we clever with the way we're staging this?" instead of admiring the straightforward and competent telling of a story. I'm not saying all films have to be constructed in a conventional manner, but when the form overtakes the substance something has gone wrong.
Aaron Taylor-Johnson as Count Vronsky is a piece of serious miscasting. Instead of looking like a great lover and sure temptation for wavering Anna,he looks like some feeble dandy with his foppish shock of dyed curly blonde hair which makes him look quite ridiculous. How on earth Anna could fall for such a creepy-looking guy is beyond most viewers I would submit.
Keira Knightley does the best she can, despite looking most of the time like she's attending a fashion shoot. The character of Anna requires portrayal of a tragic life which she doesn't quite achieve. However, the whole film fails to convey the grandeur of Tolstoy's vision, so she's let off the hook by the film's general levity and lack of substance.
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