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Anna Karenina (2012)

Trailer
2:38 | Trailer
In late-19th-century Russian high society, St. Petersburg aristocrat Anna Karenina enters into a life-changing affair with the dashing Count Alexei Vronsky.

Director:

Joe Wright

Writers:

Tom Stoppard (screenplay), Leo Tolstoy (novel)
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Popularity
1,058 ( 41)
Won 1 Oscar. Another 31 wins & 52 nominations. See more awards »

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Cast

Cast overview, first billed only:
Matthew Macfadyen ... Oblonsky
Eric MacLennan Eric MacLennan ... Matvey
Kelly Macdonald ... Dolly
Theo Morrissey Theo Morrissey ... Grisha Oblonsky
Cecily Morrissey Cecily Morrissey ... Lili Oblonsky
Freya Galpin Freya Galpin ... Masha Oblonsky
Octavia Morrissey Octavia Morrissey ... Tanya Oblonsky
Beatrice Morrissey Beatrice Morrissey ... Vasya Oblonsky
Marine Battier Marine Battier ... Mlle. Roland
Keira Knightley ... Anna Karenina
Guro Nagelhus Schia ... Annushka
Aruhan Galieva Aruhan Galieva ... Aruhan
Jude Law ... Karenin
Carl Grose Carl Grose ... Korney
Bryan Hands ... Mikhail Slyudin

Through the Lens of 'Darkest Hour' Director Joe Wright

See how director Joe Wright uses his signature tracking shots to set up a visual narrative for his films, including Atonement, The Soloist, and Hanna.

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Storyline

In 1874, in the Imperial Russia, the aristocratic Anna Karenina travels from Saint Petersburg to Moscow to save the marriage of her brother Prince Oblonsky, who had had a love affair with his housemaid. Anna Karenina has a cold marriage with her husband, Count Alexei Karenin, and they have a son. Anna meets the cavalry officer Count Vronsky at the train station and they feel attracted by each other. Soon she learns that Vronsky will propose to Kitty, who is the younger sister of her sister-in-law Dolly. Anna satisfactorily resolves the infidelity case of her brother and Kitty invites her to stay for the ball. However, Anna Karenina and Vronsky dance in the ball, calling the attention of the conservative society. Soon they have a love affair that will lead Anna Karenina to a tragic fate. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for some sexuality and violence | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

Cara Delevingne's first film. See more »

Goofs

Throughout the film every time Anna's son's name is spoken, it is uniformly mispronounced in four syllables using some wrong phonemes, whereas in Russian his name has three syllables. See more »

Quotes

Alexei Karenin: [Anna is in bed. Alexie Karenin is getting ready for bed. Anna listens apprehensively to the little noises of Karenin's pre-coital preparations] ... not that I care for decorations but...
Anna Karenina: Alexei... I can't... I'm sorry... But I'm his wife now. I am having his child.
See more »

Connections

Version of Anna Karenine (1917) See more »

Soundtracks

Song for a New Life (Masha's Song)
(uncredited)
Written by Anoushka Shankar
Performed by Tannishtha Chatterjee
See more »

User Reviews

 
A Very Creative Effort
23 June 2013 | by onewhoseesmeSee all my reviews

I once asked Dustin Hoffman if he had any favorite movies or actors. He replied that he had favorite performances. Referring it seemed, to much smaller periods within a film. There are several shots where Keira is picture perfect, but this role was not for her. This performance ruins our memory of her former success under Joe Wright. Especially her first, which is her most unforgettable. Black Swan did the same for Natalie Portman, another of our cinema sweethearts. Which I walked out of.

Her part here needed to be much deeper and more complex, but instead it was shallow and trite. The way Anna was portrayed was out of place. Whether by acting or writing I don't know. Either way it was a mistake. All of the male leads, four at my count, complemented each other perfectly and were well done. Some surprising cameos among the women.

I didn't see it at the theater after hearing about the stage within the movie technique, which has actually been done in a few good movies. I didn't see it as a problem. The recent film Anonymous about Shakespeare began this way, as do others based on plays of his. Julie Taymore in her solo attempt to put Titus on film blended styles while injecting modern means and mechanism into near ancient settings, and pulled it off very smartly. Both of these were good films and highly worth watching. I point this out as there were many complaints about it in other reviews.

It isn't the blending of the modern and the ancient, or the use of multiple styles in itself that is a problem. It's more a question of whether it works, and how well it was done. I believe here it does. Peter Greenaway excels at this kind of film making. We sometimes forget how shallow we have become as a society. What a melange and patchwork our culture is. Are we surprised it shows up in our films.

There are some moments of clarity in the movie that are almost bewitching. While others present motion picture as painting or poetry. Some very good transitions. Overall I believe it to be a very creative effort. It is a blending of choreography, stage, and cinema with a desire to please the eye and entertain our emotions. It was only the moral ambiguity and modern sensibilities between the two lovers I found contemptible. Both of them being out of time and out of place.

Love is the great conquerer of lust. As lust is the great destroyer of love. I believe the author intended this to be about the second. It is a mistake to think movies from books should be the book. Just as it is wrong for an amoral people to replace the beliefs of a moral people . . with their own. Especially when borrowing or telling their stories. One of the great enjoyments for all lovers of period pieces is going back to a time when people knew morality and understood what it was, and most agreed with it. Whether or not they actually were moral is entirely . . another story.

http://fullgrownministry.wordpress.com/2013/08/04/covet/


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Details

Official Sites:

Official Facebook

Country:

UK

Language:

English

Release Date:

7 September 2012 (UK) See more »

Also Known As:

Anna Karenina See more »

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Box Office

Budget:

$40,600,000 (estimated)

Opening Weekend USA:

$320,690, 18 November 2012

Gross USA:

$12,816,367

Cumulative Worldwide Gross:

$68,929,150
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Datasat | Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
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