Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
Sandra, a young female student, rents a room from Anna-Lisa - a middle aged actress and former ballet dancer in Berlin. One day Sandra reads her landlady's diary where she expresses ... See full summary »
Kristian A. Söderström
In 1874, in the Imperial Russia, the aristocratic Anna Karenina travels from Saint Petersburg to Moscow to save the marriage of her brother Prince Oblonsky, who had had a love affair with his housemaid. Anna Karenina has a cold marriage with her husband, Count Alexei Karenin, and they have a son. Anna meets the cavalry officer Count Vronsky at the train station and they feel attracted by each other. Soon she learns that Vronsky will propose to Kitty, who is the younger sister of her sister-in-law Dolly. Anna satisfactorily resolves the infidelity case of her brother and Kitty invites her to stay for the ball. However, Anna Karenina and Vronsky dance in the ball, calling the attention of the conservative society. Soon they have a love affair that will lead Anna Karenina to a tragic fate.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Director of photography Philippe Rousselot had to leave in pre-production to have back surgery, as excruciating pain from sciatica made it impossible for him to continue working on the film. He was replaced by Seamus McGarvey, director Joe Wright's regular collaborator. See more »
The label of the bottle of morphine Anna drinks from changes from "la Morphine" to "Morphine" between shots. The only correct French form would be without an article (prescriptions would have been written in Latin in 19th-century Russia anyway). See more »
Contrived, forced and pretentious, this movie is over worked
It took me about an hour to stop being irritated by the movie's self consciousness, to sort of enjoy it... but the damage was done.
As viewers, we have no reason to believe in the love Anna finds. He is creepy and give us no inkling of why she might ruin her life for him.
Kiera isn't bad, just annoying, considering we have no empathy for her self indulgence. If her husband was worse, her love a lot nicer, and if we could feel electricity between them, it would be a different matter, but the fact is the movie is too busy being clever... it misses out on having a heart and soul.
The theatre gimmick got in the way, and seemed like a cheap way of having Moscow backdrops without actually traveling there.
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