Absolution (2010)

Not Rated | | Short, Drama, Thriller
Morgan is a down and out professional who wanders the streets of San Francisco. By chance he runs into his partner Alex, with whom he started a company, only to see Alex to cash out early, ... See full summary »

Director:

S.S. Mausoof (as Saqib Mausoof)

Writers:

Mohsin Hassan (story), Mohsin Hassan
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Cast

Credited cast:
Jaquelynn Herrera Jaquelynn Herrera ... Julia
Akbar Kurtha ... Alex
Ashok Malani Ashok Malani ... Dilip Singh
Carl Marino ... Ramone
Cole Panther ... Morgan Givens
Rana Rines ... Becky King (as Rana Weber)
Connie Jo Sechrist ... Annie Givens (as Connie Sechrist)
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Storyline

Morgan is a down and out professional who wanders the streets of San Francisco. By chance he runs into his partner Alex, with whom he started a company, only to see Alex to cash out early, leaving Morgan with the legal burden. Today Alex is a successful and brash entrepreneur without any remorse. However, when confronted by Morgan, Alex develops an inkling of sympathy, particularly when Morgan presents Alex with an opportunity for mutually-assured Absolution. Written by Anonymous

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Genres:

Short | Drama | Thriller

Certificate:

Not Rated
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Company Credits

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Technical Specs

Runtime:

Color:

Color
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User Reviews

 
Absolution Review by Filmbalaya
25 November 2012 | by smausoofSee all my reviews

Suicide. Not exactly the easiest of issues to tackle, especially in the span of only 22 minutes. In telling the story of one man's journey towards absolution, director, Saqib Mausoof, does more than just touch upon the moral dilemma of somebody taking his own life, he absorbs you in the all-encompassing philosophical questions that accompany such a serious issue.

Morgan (Cole Panther) is a down and out professional seeking a way out of his existentialist trauma, when he runs into his old business partner who betrayed him, Alex (Akbar Kurtha). Now the stage is set for mutually assured absolution, and the decisions that both Alex and Morgan make in the final moments of this harrowing dramatic thriller will have profound consequences.

Creating multilayered interpretations in a relatively straight forward narrative, as well as developing well-rounded characters, I'm sure, is not an easy thing to do. Add in the fact that the entire experience is over in less than 30 minutes, and Mr. Mausoof, you have an accomplishment to be very proud of. Hopefully, this film garners the exposure amongst the film festival circuit in the coming year that it so rightfully deserves


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