Fullmetal Alchemist: The Sacred Star of Milos

If you've read my review on "Fullmetal Alchemist: Conqueror of Shamballa" already, you would know that I am a fan of the Fullmetal Alchemist franchise, which was originally a series of Japanese graphic novels (often called "manga") written and designed by Hiromu Arakawa for "Shonen Gangan", a monthly magazine published by Square Enix. Yes. That Square Enix. It was turned into two anime television series sometime later, one starting in 2003 while the manga was still being written, and another in 2010 (dubbed "Brotherhood"), a few years after it was finished. Both of these anime series would premier in the United States on Cartoon Network's late night block, Adult Swim.

"Fullmetal Alchemist: The Sacred Star of Milos" (pronounced Mē-lŏss) is the second feature film in the franchise. While "Conqueror of Shamballa" is spun off of the 2003 series (and serving as its official ending), this movie is spun off of the 2010 series and is an original story, taking place somewhere near the halfway point of the show's run. It starts with a prisoner, an alchemist, breaking out of prison in Central City, despite only having a few weeks left in his sentence. The Elric brothers, consisting of Edward (Vic Mignogna), a young state alchemist dubbed "Fullmetal", and his younger brother Alphonse (Maxey Whitehead), decide to go after him. They end up near the edge of the country border, to a town called Table City, where they cross paths with a young girl named Julia (Alexis Tipton), who belongs to a society called the Milosians. Thus, the Elrics end up becoming a part of a conflict that could either bring peace and prosperity or the extinction of an entire people.

Even though I did say that this movie took place somewhere near the middle of "Fullmetal Alchemist: Brotherhood", I cannot say where exactly this movie is placed in the storyline. Even if I did know, the movie pretty much serves as just feature-length filler, and I don't really see that as a bad thing here. However, I do understand that there are a few fans of the franchise that will have a tough time wrapping their head around the overall plot. The animation is also pretty good for a theatrical release, though it's not the best work I've seen from Bones, the studio that has also worked on both the 2003 series and "Brotherhood", as well as other anime series and movies.

So, to sum up, I actually enjoyed this one. Could it be better? Yes, but what I got out of it is a rather thrilling (and sometimes brutal) adventure flick based on a Japanese franchise I hold as near and dear as "Cowboy Bebop". However, if you plan to watch this picture, I would recommend watching at least half of "Brotherhood" first. It may not help you fully understand everything this movie unfolds, but it would make it a little easier than it should.