5.9/10
557
3 user 23 critic

Target (2011)

Mishen (original title)
Not Rated | | Drama, Sci-Fi | 30 June 2011 (Russia)
In 2020, a group of wealthy Muscovites traveling to a complex of abandoned astrophysics, where rumors say they have enough power to stop the aging process.
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4 wins & 4 nominations. See more awards »

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Cast

Credited cast:
Maksim Sukhanov ... Victor
Justine Waddell ... Zoe
Vitaliy Kishchenko ... Nikolay
Danila Kozlovsky ... Mitya (as Danila Kozlovskiy)
Daniela Stoyanovich Daniela Stoyanovich ... Anna
Nina Loshchinina Nina Loshchinina ... Taya
Rest of cast listed alphabetically:
Alexandra Bogdanova Alexandra Bogdanova ... Olya
Anton Khabarov ... Andrey
Evgeniy Knyazev ... Culinary politician
Natalya Kolyakanova
Vitaliy Mikhaltsov ... Al Faed
Svetlana Novikova Svetlana Novikova
Alyona Pol'kina Alyona Pol'kina ... Inga
Oleg Yagodin Oleg Yagodin ... Tai's fiance
Igor Zolotovitskiy ... Cooking show producer
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Storyline

In 2020, a group of wealthy Muscovites traveling to a complex of abandoned astrophysics, where rumors say they have enough power to stop the aging process.

Plot Summary | Add Synopsis

Taglines:

In the year 2020, a group of wealthy Moscovites travel to an abandoned astrophysics complex, rumoured to have enough power to halt the process of ageing

Genres:

Drama | Sci-Fi

Certificate:

Not Rated
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Details

Official Sites:

Official site [Russia]

Country:

Russia

Language:

Russian

Release Date:

30 June 2011 (Russia) See more »

Also Known As:

Cel See more »

Filming Locations:

Altay, Russia See more »

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Box Office

Cumulative Worldwide Gross:

$73,153
See more on IMDbPro »

Company Credits

Production Co:

Ren Film See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

For her role in this film, Justine Waddell learned the Russian language from scratch. See more »

Connections

Referenced in Russia's Open Book: Writing in the Age of Putin (2013) See more »

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User Reviews

 
On target
5 October 2014 | by hte-trasmeSee all my reviews

I found this film because I was interested in the script by also- novelist Vladimir Sorokin, and it wasn't disappointed. It turned out to be an intelligent, subtle, thoughtful screenplay that seems to have been treated with huge respect by the filmmakers. That's important because in terms of several elements including not just the scenario and dialogue but also the pacing and visual images, this is a very daring and ambitious piece of film.

"Targets" is very atypically structured and paced: it's long, and its narrative-- which while basically chronological does indulge in flashback scenes -- is not really straightforward. And I think that helps it in delineating and very original treatment of an age old fountain-of-youth theme.

We focus of several rich Muscovites who discover an area with special properties to stop again. And the central contradiction of their seeking of it is explored powerfully in several ways: these are people for whom life is empty, and they seek to prolong it by extending it. But they are treated very humanly, and so this strong satire on the emptiness of wealth and its centrality to modern life rarely ends up seeming mean-spirited. Instead the lives of the protagonists play out like several individual bleak and touching personal tragedies.

Occasionally, things pill slightly over the top, and often this is in the parodies of sections of TV shows, but become a bit too heavy- handed making the still-good point, but detract little from the whole.

While the pace is slow, the film to me never felt dull, but rather fascinating. Sincere and quietly-intense acting from all parties, interesting, significant camera-work, and sometime-shocking but always well-executed set pieces contribute to this.

Another important theme running parallel to the agonies introduced by eternal you is a pair of glasses that an distinguish good and evil, down to the physical good or evil properties of types of matter. And this invention ends up being of no use, scoffed when introduced to the public. Like eternal youth, the ability to know right from wrong with certainty is a long-sought and implausible goal that when attained reaps no helpful rewards.

An intelligent film whose ambition pays off. I'm sure that repeated viewings will reveal more nuances, which in itself is a sign of a success.


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