In April, 1975, civil war breaks out; Beirut is partitioned along a Moslem-Christian line. Tarek is in high school, making Super 8 movies with his friend, Omar. At first the war is a lark: ... See full summary »
Fifteen years after a traumatic explosion in his native Beirut, Kamal Maf'ouss returns from France, where he was nationalized and become a composer-choreographer. He reassembles youth ... See full summary »
Rodney El Haddad,
Nada Abou Farhat
Noha is about to get married. Her family is relieved to see her take advantage of this last chance before officially becoming a spinster just like her sister. Everything seems to be going ... See full summary »
After serving his sentence in Carandiru, one of the world's most vicious prisons, Tarek (Adel Karam) sets out to create a new life for himself in Brazil; A life like any normal person. Yet ... See full summary »
In the wake of Israel's 2006 bombardment of Lebanon, a determined woman finds her way into the country convincing a taxi cab driver to take a risky journey around the scarred region in search of her sister and her son.
Nada Abou Farhat,
Christians and Muslims lived peacefully together for years in this small Lebanese village, but animosities begin to build among the men as a result of slights and misunderstandings. The women of the village conspire to avert sectarian strife though a series of harebrained plans, none of which succeeds in slowing down the escalating spiral of violence. When tragedy strikes, the women find themselves driven to make a deeply personal sacrifice for the sake of peace.Written by
The first film ever to be jointly released in the Middle East and North Africa by 3 competing companies: Front Row Filmed Entertainment, The Kuwait National Cinema Company and Empire International. See more »
The story I tell is for all who want to hear. A tale of those who fast, a tale of those who pray, a tale of a lonely town, mines scattered all around. Caught up in a war, split to its very core. To clans with broken hearts under a burning sun. Their hands stained with blood in the name of a cross or a crescent. From this lonely place, which has chosen peace, whose history is spun of barbed wire and guns.
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I watched this movie at the Toronto Film Festival. We woke up early on Sunday morning to watch it at 9:00 a.m. and to be greeted by Ms. Labaki herself. The movie was engaging, the music was wonderful, and the actors, some of them amateurs, transported us to their village life, successes, and tribulations in so many ways. The audience had not time to exchange any opinions, but at the end, we all rose and gave Ms. Labaki an standing ovation.
I left the theater greatly touched, happy, sad, and alive. I'm not an expert, but as a mother and as a woman, I hope Ms. Labaki's message of love, peace, and tolerance I took from her work can reach and change many. Good luck Ms. Labaki and thank you.
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