1994 or thereabouts. There is a civil war on in Burundi. A genocidal conflict opposing Hutus and Tutsis... We are witnesses to one of those sadly frequent episodes : the attack by the ...
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Stuck in a dark limbo between life and death, a deceased soldier Nathan Rijckx collects shadows of dying men and women to buy back his own second chance at life. Obsessed by a girl he met ... See full summary »
Tom Van Avermaet
Peter Van den Eede
A divorced father picks up his eight-year-old daughter Lea. It seems pretty much like every second weekend, but after a while Lea can't help feeling that something isn't right. So begins a fateful journey.
Disillusioned with his life in the suburbs of segregated Beirut, Omar's discovery lures him into the depth of the city. Immersed into a world that is so close yet so isolated from his ... See full summary »
In a Turkish village, three siblings who neither know each other nor anything about their late father, wait to bury his body. As they start to find out more about their father and each other, they also start to learn more about themselves.
Parvaneh is a young Afghan immigrant who recently arrived at a transit centre for asylum seekers in the Swiss Alps. The only things she has got to know yet are the rural area surrounding the centre and the centre itself.
1994 or thereabouts. There is a civil war on in Burundi. A genocidal conflict opposing Hutus and Tutsis... We are witnesses to one of those sadly frequent episodes : the attack by the rebels of a minibus transporting ordinary passengers. A Kalashnikov bursts out. The bus stops, the passengers get off. There follows a «selection» separating Hutus and Tutsis. But who is a Hutu, who is a Tutsi? Na Wewe means You Too in Kirundi.Written by
This Belgian film talks about a subject that is very much talked about nowadays in Belgium: national identity. The country that holds the record for time taken to form a new democratic government after an election, held until then by Iraq, offered us a very good insight on the essence of national identities. The way the director Ivan Goldsmidt achieved this was by setting his film at the civil war in Burundi and the genocidal conflict between Hutus and Tutsis. A van full of people is stopped by a few gun- wielding rebels, who demand to know everybody's origins. Of course this proves to be extremely complicated, which is why this movie turns into a comedy quite soon, despite the wielding guns. The tension of this situation is effectively used to make a point about the funny irrationality of the idea of national identity. "Na wewe" means "you too" in Kurundi, because this is definitely not a topic concerning only Hutus and Tutsis.
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