One of very few films to have an F cinemascore See more »
Just before his beat-down in the rain by Steve and Barry, Markie is sitting in the back seat of the car, completely dry. In the very next scene, having just stepped out of the car, his hair is plastered to his head and his shirt is soaking wet. See more »
You ever kill anyone?
It can get touchy-feely.
Emotional, not fun, a lot of fuss. They cry. They plead. They beg. They piss themselves. They call for their mothers. It gets embarrassing.
I like to kill them softly, from a distance. Not close enough for feelings. Don't like feelings. Don't want to think about them.
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There is more wordplay than gun-play here and it is a Neo-Noir, hard-boiled, unfettered attempt at gritty realism. Some of the extended dialog scenes are pretty good but not quite excellent. There is some rambling and pointless exchanges with little pay-off.
But there are some serious, reality sound bites that give us the same thing. There is that continuous backdrop of Political rambling rhetoric that mirrors the Character's innate ability to speak much and say little.
This is an against the grain try at alternative, smart Cinema with just enough stylized graphic violence to make it obvious that this has Artistic commentary and not Documentary style Cinema Verite on its mind. Overall it is a well done and interesting kind of side-step from the usual whiz-bang editing and shaky Camera stuff that has become so common.
This is slow, bordering at times on tedious, but never a bore. It is well crafted but does not quite reach that level of great Prose transferred to great Film. But it is a good try at a very difficult, rarely achieved process that creates the best of this kind of thing.
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