6.2/10
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379 user 420 critic

Killing Them Softly (2012)

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2:29 | Trailer

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Jackie Cogan is an enforcer hired to restore order after three dumb guys rob a Mob protected card game, causing the local criminal economy to collapse.

Director:

Andrew Dominik

Writers:

Andrew Dominik (screenplay), George V. Higgins (based on the novel "Cogan's Trade" by)
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Popularity
3,932 ( 264)
3 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
Brad Pitt ... Jackie
Scoot McNairy ... Frankie
Ben Mendelsohn ... Russell
James Gandolfini ... Mickey
Richard Jenkins ... Driver
Vincent Curatola ... Johnny Amato
Ray Liotta ... Markie Trattman
Trevor Long ... Steve Caprio
Max Casella ... Barry Caprio
Sam Shepard ... Dillon
Slaine ... Kenny Gill
Linara Washington ... Hooker
Ross Brodar ... Poker Guy
Wade Allen ... Business Suit Agent
Christopher Berry ... Cab Driver Agent
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Storyline

Three amateurs stickup a Mob protected card game, causing the local criminal economy to collapse. Brad Pitt plays the hitman hired to track them down and restore order. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

In America you're on your own

Genres:

Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for violence, sexual references, pervasive language, and some drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

30 November 2012 (USA) See more »

Also Known As:

Cogan's Trade See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$6,812,900, 2 December 2012, Wide Release

Gross USA:

$15,026,056

Cumulative Worldwide Gross:

$37,930,465
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (rough cut)

Sound Mix:

Dolby Digital | Datasat

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Brad Pitt and Richard Jenkins previously starred together in Burn After Reading (2008). See more »

Goofs

After using his shotgun and putting it in the getaway car, Jackie wipes down the car of evidence but fails to retrieve his gun and his fingerprints on it. See more »

Quotes

Driver: He's got a broken jaw. Got broken ribs, he got a broken nose, three or four broken teeth. There's some question about his spleen, he said. He was in the hospital when I talked to him. He's out now, I understand. Must be his spleen's okay then. You know, he's not happy, though.
Jackie Cogan: I'm sorry to hear that. We aim to please.
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Connections

Featured in Projector: Killing Them Softly (2012) See more »

Soundtracks

The Windmills of Your Mind
Written by Michel Legrand, Alan Bergman and Marilyn Bergman
Published by EMI U Catalog, Inc. (ASCAP)
Performed by Petula Clark
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User Reviews

 
Starts well, then collapses under the weight of its own self satisfaction
3 October 2012 | by KookyburraSee all my reviews

This is a film that looks outstanding. It has that feel of the best seventies cinema. The acting similarly is outstanding but still, a few things stop it from being the stone cold classic it could have been.

The cracks started to show when Cogan(Pitt) has his first talk with Mickey(Gandolfini). It's the latest in a long series of head to heads that play out more like acting master-classes than anything relating to the film. That scene effectively breaks the spell and reminds us that we are watching "good quality acting" combined with "a good script".

The film seems to go off the rails after this. Any charm or involvement is soon stopped by another showy scene from the director who seems more concerned with showing off his film making skills than actually making a good film.

The final thing that jars is Brad Pitt. He had the same effect on Fight Club. Pitt is too big a star for a film like this. He simply doesn't convince as the cynical cold blooded killer. Why would such a man spend that much time on his physical appearance for instance?. A more earthy, hard boiled actor could have made the character believable.

Not a bad film but overbearingly condescending at the finale (which I won't spoil here). The film that went before doesn't earn that pay off and its impact isn't felt on the screen. Which makes the end deeply unsatisfying.

Shame really as with more editing and less egos involved, this could have been so much better.


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