Six years after KiDULTHOOD, Sam Peel is released from jail for killing Trife, he realizes that life is no easier on the outside than it was on the inside and he's forced to confront the ... See full summary »
Scarlett Alice Johnson,
Shifty, a young crack cocaine dealer in London, sees his life quickly spiral out of control when his best friend returns home. Stalked by a customer desperate to score at all costs, and ... See full summary »
First, there was Kidulthood, then Adulthood, and now comes Noel Clarke's lastest instalment: Brotherhood. Sam is facing up to the new world. He realises it also comes with new problems; new... See full summary »
Plan B: In the last shot of the film before the credits, Drew is shown to be the one driving the car Aaron is in. See more »
When Katya leaves her pram on the train, and Aaron tries to get her number we clearly see her holding her arms out in front of her, a little while later we flashback to the same scene from a different viewpoint and her arms are by her side the whole time. See more »
Considering that a year ago I had never listened to a Ben Drew (Plan B) track, dismissing him out of hand as yet another rap/hiphop wannabe, and today regarding him as a genuine multi-talented prodigy is an honest tribute to his unbelievably versatile creativity.
Due in part to the perfect format of a rap narration, in part to the fact that this is a man with his finger FIRMLY on the pulse of a disaffected sector of society and in part to the unforgiving art and poetry of the writing, direction and art direction, I feel that this is a modern masterpiece.
Consider again that this is a directorial debut and was achieved on a budget of merely £100,000, it's almost genius.
John Cooper Clarke, rather surprisingly for me, adds the perfect complementary poetic touch; I had forgotten quite how uncompromising and bleak his words can be.
Reminiscent of Clockwork Orange in its brutal beauty,the story is realistic to the immorality and just plain incomprehension of the consequences within an "underclass" subculture, yet the characters are so finely drawn and portrayed that you feel not only sympathy, but you feel a part of their hopelessness and helplessness.
There was one scene I couldn't watch (no spoilers); watching with my 19 y o daughter, she remarked that it was the first time in a long time that a film had affected her emotionally. She is braver than me for doing so...as it is impossible to un-see anything, so I could not bring myself to watch.
Absolutely beautiful, sad, horrifying and harrowing. Ben Drew, I take my hat off to you and can't wait for the next thing to come out of your remarkable mind.
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