Six years after KiDULTHOOD, Sam Peel is released from jail for killing Trife, he realizes that life is no easier on the outside than it was on the inside and he's forced to confront the ... See full summary »
Scarlett Alice Johnson,
Shifty, a young crack cocaine dealer in London, sees his life quickly spiral out of control when his best friend returns home. Stalked by a customer desperate to score at all costs, and ... See full summary »
First, there was Kidulthood, then Adulthood, and now comes Noel Clarke's lastest instalment: Brotherhood. Sam is facing up to the new world. He realises it also comes with new problems; new... See full summary »
In one of East London's most volatile neighborhoods, pride, rivalry and revenge are the only codes on the street. Touted as a British Boyz in the Hood, Bullet Boy is a gripping and ... See full summary »
Kenneth (who likes to call himself Kay) begins to realise he's just another wannabe bad boy... even less than a loser in fact. After quitting his job at Laimsbury's, Kay vows to become a ... See full summary »
Plan B: In the last shot of the film before the credits, Drew is shown to be the one driving the car Aaron is in. See more »
When Katya leaves her pram on the train, and Aaron tries to get her number we clearly see her holding her arms out in front of her, a little while later we flashback to the same scene from a different viewpoint and her arms are by her side the whole time. See more »
Ill Manors is a film that does far more than just push the boundaries previously set by British films such as Kidulthood, Adulthood and Harry Brown, of which Ben Drew played key roles in. It bends moral boundaries to a level rarely seen before in British cinema, even when the character does things for the 'greater good', the brutality of the streets re balances the already lop sided scales back into darkness, corruption and greed.
A fantastic blend of black and white re winds, flash backs and present time, in a style similar to that of Pulp Fiction where each characters story gets told and varied perspective on events is shown, on this poor and heartless council estate in London. Narration in the form of a truly brilliant soundtrack by Plan B, and although a surprisingly low amount is used, it makes it all the more effective. The film may seem too much to handle and over worked – this couldn't be any further from the truth. What also impressed me was the micro budget Plan B had to work with, and the way he managed to produce such a professional piece with it - he saves a large amount by recruiting local musicians and up and coming actors/actresses to play key roles, though they play them as naturally and effective as any world-renowned star. Throw in some fantastic performances from the young members of the cast, and Ben was on to a winning formula.
The gritty realism will undoubtedly be difficult for some people to even view, let alone understand or relate to. The films climax is one of the most unforgettable and unpredictable I have ever seen in recent years. The extent to which this film impressed and shocked me, in the standard in which is was created, the plot, characters, and actors involved, means Ill Manors easily waltzes into my top 3 of the year so far.
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