Critic Reviews



Based on 6 critic reviews provided by Metacritic.com
As a portrait of bogus revolutionary rhetoric used to undermine and control women, it’s thoughtful and provocative.
This is an innovative, occasionally provocative, often frustrating film, but one whose perspectives on guilt and victimhood offer a new angle on a notorious case.
If nothing else, Charlie Says succeeds in demystifying the man with a pentagram carved into his skull: He may be society’s go-to conception of evil, but he was also a drugged-out racist who wrote forgettable songs that even his acolytes probably didn’t enjoy as much as they were letting on.
The film Harron delivers is so ambivalent as to be frustratingly gun-shy about truly asserting a point of view, or adding anything meaningful to the already thriving cottage industry of Manson-adjacent storytelling.
It has none of the brilliance and insight of Emma Cline’s 2016 novel The Girls, on roughly the same subject.
Skimpy psychological insight, a clumsy structure and what turns out to be a miscast Smith all contribute towards what seems like a wasted opportunity.

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