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This Is 40 (2012)

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Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.

Director:

Judd Apatow

Writers:

Judd Apatow, Judd Apatow (based on characters created by)
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Popularity
1,382 ( 990)
2 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
Paul Rudd ... Pete
Leslie Mann ... Debbie
Maude Apatow ... Sadie
Iris Apatow ... Charlotte
Jason Segel ... Jason
Annie Mumolo ... Barb
Robert Smigel ... Barry
Megan Fox ... Desi
Charlyne Yi ... Jodi
Hugh Fink ... Male Boutique Customer
Graham Parker ... Graham Parker
Tom Freund ... Graham Parker Solo Band
D.A. Sandoval ... Older Pregnant Parent
Megan Grano ... School Playdate Parent
Mackenzie Aladjem ... School Playmate Child
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Storyline

Pete (Paul Rudd) and Debbie (Leslie Mann) are turning 40. But instead of celebrating, they're mired in a mid-life crisis with unruly kids, debt and unhappiness mounding. Pete's record label is failing and Debbie is unable to come to terms with her aging body. As Pete's 40th birthday party arrives, Pete and Debbie are going to have to rely on family, friends, employees, fitness trainers, aging rockers and ultimately each other to come to terms with life at age 40. Written by napierslogs

Plot Summary | Plot Synopsis

Taglines:

The Sort-of Sequel to 'Knocked Up'

Genres:

Comedy | Romance

Motion Picture Rating (MPAA)

Rated R for sexual content, crude humor, pervasive language and some drug material | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

21 December 2012 (USA) See more »

Also Known As:

This Is Forty See more »

Filming Locations:

Los Angeles, California, USA See more »

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Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend USA:

$12,030,690, 23 December 2012, Wide Release

Gross USA:

$67,544,505

Cumulative Worldwide Gross:

$88,058,786
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

SDDS | Datasat | Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

During the scene when Paul Rudd's character Pete is having coffee with his friend Barry, they are talking about why Pete told Debbie about taking the Viagra. There is a song playing in the background, "Magnet and Steel" by Walter Egan. This song was also in "Overnight Delivery" with Paul Rudd. It was Paul Rudd's character (Wyatt Tripps) and Kimberly Jasney's love song. See more »

Goofs

Near the end of the film when Pete and Debbie are in the bar listening to music, Debbie's gold purse moves on the table behind her. See more »

Quotes

Pete: Snitches end up in ditches!
See more »

Crazy Credits

After the main credits roll, there's an extended alternate take of Catherine ad-libbing insults during the conversation with the Julie, Pete, and Debbie. See more »

Alternate Versions

The Blu-ray release included an exclusive extended version with three minutes of additional footage not seen in the theatrical version. See more »

Connections

Featured in Mr. Plinkett's Ghostbusters 2016 Review (2017) See more »

Soundtracks

Lunch Box/Odd Sox
Written by Paul McCartney and Linda McCartney
Performed by Wings
Courtesy of MPL Communications, Inc.
See more »

Frequently Asked Questions

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User Reviews

 
40, down
1 January 2013 | by EephusPitchSee all my reviews

Wow, this film seems to be generating a lot of hostility: I am not quite sure what's behind it. I guess people went into this expecting a sitcom-like, snappy feel good film, like 40 Year Old Virgin? Or goofy, happy-go-lucky characters such as Seth Rogen's posse in Knocked Up? Did these people not see Funny People? I am all in favor of letting Mr. Apatow develop as a director. To be clear here: this film follows Pete and Debbie's story arc from a few years after the events in Knocked Up. The are both turning 40, and neither is handling it particularly gracefully, but they weren't handling their lives and relationships particularly well in the earlier film. I found this movie to have a Larry David Show quality to it: however irrationally and offensively our protagonists behave, there are always others who will go them one better (or worse). Yes, Debbie and Pete are defective human beings; but so, I would argue, are all the people inhabiting this world, excepting the very gentlemanly Graham Parker (and Billie Joe Armstrong). Such is the stuff of comedy. Are these caricatures? Surely, and yet they are caricatures of realities which I see every day. Is the teenage daughter given to histrionics? You bet, but that is what teenagers are like, and the fact remains that teenagers turn their parents into equally irrational and histrionic characters in that relationship; I actually found it refreshing to find a teenager in a movie, played by a teenager, who isn't a wisecracking savant commenting on the follies of her elders.

To sum up, this felt to me like a mature work from a good director. There are moments of farce, slapstick, and outrageous humor, surrounded by moments where things just happen. For people who can't handle that kind of pacing, you are welcome to stay out of movie theaters, and sit in front of your TV sets: the networks are sure to have plenty of non-challenging sitcoms that are specially designed to pander to you.


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