In São Paulo, the scheme of the corrupt DA Júlia and her mate, the lawyer Henrique with the gangster Maicom is discovered and sent to the Internal Affairs. Maicom is responsible for ...
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Title: Two Rabbits (2012)
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8 wins & 7 nominations.
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Edit
Cast
| Cast overview, first billed only: | |||
 |
Fernando Alves Pinto | ... | Edgar |
| Alessandra Negrini | ... | Júlia | |
| Caco Ciocler | ... | Walter | |
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Marat Descartes | ... | Maicon |
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Neco Villa Lobos | ... | Henrique (as Neco Vila Lobos) |
| Thaíde | ... | Velinha | |
| Robson Nunes | ... | Clayton | |
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Thogun Teixeira | ... | Bolinha (as Thogun) |
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Roberto Marchese | ... | Jader Kerteis |
| Aldine Muller | ... | Sophia | |
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Norival Rizzo | ... | Hermes |
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Yoram Blaschkauer | ... | Robério |
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Samantha Dalsoglio | ... | Esposa do Walter |
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Eliseu Paranhos | ... | Bando Maicon - Rato |
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Daniel Torres | ... | Bando Maicon - Indiano |
Edit
Plot Summary
|
Plot Synopsis
Storyline
In São Paulo, the scheme of the corrupt DA Júlia and her mate, the lawyer Henrique with the gangster Maicom is discovered and sent to the Internal Affairs. Maicom is responsible for kidnappings, murderers and heists and his only chance is the support of the corrupt and powerful assemblyman Jader Kerteis that demands 2 million-dollars to help him. Meanwhile the "paulistano" Edgar, who killed a mother and her son two years ago in a car accident, invites the "motoboy" and thief Velinha to steal the escorted courier that is carrying the pouch with the money to be delivered to Jader. How their lives are entwined? Written by Claudio Carvalho, Rio de Janeiro, Brazil
Certificate:
TV-MAParents Guide:
View content advisory »
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See full technical specs »
Details
Country:
BrazilLanguage:
PortugueseRelease Date:
19 January 2015 (USA) See more »Also Known As:
Dois Coelhos See more »Edit
Box Office
Budget:
BRL 3,500,000 (estimated)Company Credits
Show more on
IMDbPro »
Technical Specs
Runtime:
Sound Mix:
Dolby DigitalColor:
ColorAspect Ratio:
1.78 : 1
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See more »
Did You Know?
Trivia
Parts of the film recorded in the restaurante Spot, in Sao Paulo, Paulista Ave. region. See more »Quotes
Walter: [subtitled version] Death gives a reason to our lives. More important then that, death creates a special value for time. If our time on earth was undetermined, life on its own wouldn't make any sense and probably we would still be living without clothes and with a spear on hand. Death is the most powerful agent in nature, it comes to take away the old and make space for the new. Our effort to avoid it and make our short stay here something slightly memorable is what motivates us. Life only ...See more »
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It's nice when we go to the the cinema with little or no expectations. Watching the trailer of "2 Coelhos", with many effects and explosions a la Hollywood, far from what we typically see in Brazilian films, we see the care in the production and editing of scenes and very little of plot of the movie.The trailer is well done, nothing spectacular or intriguing, but interesting enough to make us want to go to see this movie. I entered the room armed, waiting a sterile attempt to emulate the action films, empty and well packaged, I left the room surprised. In the end, the least caught my attention was the visual effects (there was nothing new) but the script, the editing and great performances.
It is not easy to summarize the plot, it is very intricate and full of twists and turns, false clues, comings and goings. Because of the choppy editing and flash backs, sometimes it's difficult to locate in time and space, but in the end, we understand everything all (or almost everything). I think the film needs to be seen more than once. Afonso Poyart, memorize this name, is a talented boy. He wrote the script and came out with a Phantom camera (that records one thousand frames per second) and many ideas in his head.From the style of the film, it is clear that the idols of Poyart are Fernando Meirelles, Christopher Nolan, Guy Ritchie and Tarantino. But he has plenty of talent and personality to create a unique style. I imagine the guy more mature, far from the grip of cinematographic references, and with more financial resources.