Denmark is in a state of shock. The army has been destroyed and the country now lies open to the Prussians. The rug is pulled out from under Monrad when his former supporters turn their backs on him....
Monrad forces a new constitution through Parliament that incorporates Schleswig into the Danish kingdom, and, as expected, triggers a declaration of war from Prussia. Laust and Peter meet their young...
The story centers on a family of priests: Johannes, Elisabeth and their sons August and Christian. Johannes is God-like to his sons - he gives, loves, and punishes. His favoritism for ... See full summary »
Ann Eleonora Jørgensen,
Anne (37) has given up finding a man, who will fit in to her sensible and controlled life. She has therefore decided to get inseminated with a carefully selected sperm donor. But as her ... See full summary »
Lene Maria Christensen,
Nikolaj Lie Kaas,
The Danes are thrilled after the victory in the 1st Schleswig War. Danish politicians now dream of incorporating Schleswig into the Kingdom of Denmark, in defiance of the peace agreement. In a small community, the brothers Peter (Jens Sætter-Lassen) and Laust (Jakob Oftebro) grow up, and both fall in love with Inge (Marie Tourell Søderberg). When the Danish President of the Council of Ministers, Mr. Monrad (Nicolas Bro), claims that Schleswig must be incorporated to the Kingdom, everyone is aware that it is the start of 2nd Schleswig War. But only this time, the Danish troops are met by Otto von Bismarck's (Rainer Bock) Prussian and Austrian army. An army much bigger and stronger than the Danish. 150 years later the maladjusted teenage girl, Claudia (Sarah-Sofie Boussnina) is on the edge of a meltdown and is forced to be visit friend to the old Baron, Severin (Bent Mejding). Inges old dairy catches Claudias interest, and through Inges writings, Claudia experience thousands of young ...Written by
Some of the negative criticism of the series is wide of the mark. The series had me hooked right from the outset. It is lyrical, well-paced story-telling, focussing on character and ideas. There are no caricatures here. The political ideas are played out through the interactions of an excellent ensemble cast, including most of the faces we have come to love in Nordic Noir. The split time sequence shows how the past influences and shapes the present and how people here and now can learn from their past. There is a joy and élan about the epic's opening which prepares us for the shock and disillusion of war. I have only seen two episodes so far, but it has me hooked. Viva Scandinavia.
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