Two unpopular queer high-school students start a fight club to have sex before graduation.Two unpopular queer high-school students start a fight club to have sex before graduation.Two unpopular queer high-school students start a fight club to have sex before graduation.
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I really can't score this movie any lower than a nine. Not only was it my style of humor, it was able to stay entertaining all the way to the end. No third act deflation! And on top of being funny for the entire runtime, I enjoyed the story. I actually thought it had a plot that drew me in and gave me a highly satisfying resolution. I appreciated the fact that there were so many ridiculous details that it was almost like this movie was set in an alternate universe. For me, it kept the balance exactly right. Wild, but with some grounded elements to keep me caring about the characters. I think this could become one of my favorite comedies of all time. I don't know how many other people I would show it to, because I think the humor was extremely subjective, but I treasured it.
The "teen movie" is making a comeback, and the latest from Emma Seligman (of 2021's Shiva Baby) is one of the funniest, wildest, and most delightfully ridiculous in recent memory.
I certainly liked it better than last year's Do Revenge, which harkened back to the Jawbreaker era (and was only at points funny); this one has been described in similar terms, but perhaps more so as a modernized Animal House, or a John Hughes film where the girls take center stage and get to be the weirdo freaks and outcasts with schemes to get laid (still with girls) and attain popularity. Of course, then there's the crucial Fight Club call-back when a self-defense group is formed to help the female students at Rockbridge Falls protect themselves from the kind of movie jocks that never take off their shoulder pads even when having sex. (Even as I've tried to describe this plot, I defy you to try to predict where it winds up.)
Bottoms also continues the trend of making everyone fall in love with Rachel Sennott, whose face is becoming more and more prominent in my kino circles -- this may even be her absolute most hilarious performance. Her co-star Ayo Edebiri (another name I'm glad to be seeing more and more of lately), is similarly on-point, same with the various co-stars, all of them firing on all silly cylinders and bringing chaotic energy to even the most laid-back performances.
Every single person here seems to be having the time of their lives. It reminded me a bit of the energy in Barbie, only this one is -- in the best possible sense -- a lot more unhinged.
Its influences are many, as I said (one of its more "early 2000s" elements is the Avril Lavigne needle drop, which is up there with the Bonnie Tyler sequence as one of the most glorious and hilarious moments in the movie), but this is a film that does something truly special with its homages and love letters. I rarely say things like this, but if this movie spawns a bunch of sequels, where these characters go on Scooby-Doo-style adventures, say, or otherwise start playing around with other genre tropes in outrageous ways, I won't complain. This is a universe I'd love to see more of. We don't get many of those.
I understand that many people on here hated this. But since most of the complaints seem to be coming from the same faint-of-heart Zoomers who lost their minds over the content in No Hard Feelings (because an upbringing saturated with sexless Marvel movies will do that to you), I feel like I've made the right call here.
I certainly liked it better than last year's Do Revenge, which harkened back to the Jawbreaker era (and was only at points funny); this one has been described in similar terms, but perhaps more so as a modernized Animal House, or a John Hughes film where the girls take center stage and get to be the weirdo freaks and outcasts with schemes to get laid (still with girls) and attain popularity. Of course, then there's the crucial Fight Club call-back when a self-defense group is formed to help the female students at Rockbridge Falls protect themselves from the kind of movie jocks that never take off their shoulder pads even when having sex. (Even as I've tried to describe this plot, I defy you to try to predict where it winds up.)
Bottoms also continues the trend of making everyone fall in love with Rachel Sennott, whose face is becoming more and more prominent in my kino circles -- this may even be her absolute most hilarious performance. Her co-star Ayo Edebiri (another name I'm glad to be seeing more and more of lately), is similarly on-point, same with the various co-stars, all of them firing on all silly cylinders and bringing chaotic energy to even the most laid-back performances.
Every single person here seems to be having the time of their lives. It reminded me a bit of the energy in Barbie, only this one is -- in the best possible sense -- a lot more unhinged.
Its influences are many, as I said (one of its more "early 2000s" elements is the Avril Lavigne needle drop, which is up there with the Bonnie Tyler sequence as one of the most glorious and hilarious moments in the movie), but this is a film that does something truly special with its homages and love letters. I rarely say things like this, but if this movie spawns a bunch of sequels, where these characters go on Scooby-Doo-style adventures, say, or otherwise start playing around with other genre tropes in outrageous ways, I won't complain. This is a universe I'd love to see more of. We don't get many of those.
I understand that many people on here hated this. But since most of the complaints seem to be coming from the same faint-of-heart Zoomers who lost their minds over the content in No Hard Feelings (because an upbringing saturated with sexless Marvel movies will do that to you), I feel like I've made the right call here.
When 'Bottoms' started I thought to myself, okay this is 'Superbad' but with women. And it kind of was for a time. Then it somehow became 'Fight Club' with women, and finished up as a film I had never seen before. This was a journey.
The film is done in quite a bizarre way. It's set in the present but everyone dresses like the 70s and there are no smart phones. Also there are almost no adults in the film and the few that there are are absolute monsters. If there's a school assembly the students are just running it, for example. You get used to it after a while but I can't remember another film like it in that sense.
The film is at its best when it is just trying to be wacky and funny. There's a period in the middle where some conflict arrises and the film gets bogged down briefly. Which is a shame because when the film is trying to be funny it is genuinely funny. There is some great dialogue in this film. I had a good time. 8/10.
The film is done in quite a bizarre way. It's set in the present but everyone dresses like the 70s and there are no smart phones. Also there are almost no adults in the film and the few that there are are absolute monsters. If there's a school assembly the students are just running it, for example. You get used to it after a while but I can't remember another film like it in that sense.
The film is at its best when it is just trying to be wacky and funny. There's a period in the middle where some conflict arrises and the film gets bogged down briefly. Which is a shame because when the film is trying to be funny it is genuinely funny. There is some great dialogue in this film. I had a good time. 8/10.
I can understand why many people struggled to connect this movie, but as someone who is a young gen z, it felt like I was exactly the target audience for this film. It's an extremely over the top satire, and what it lacks in plot, it makes up for in its fantastic humor. This movie is hilarious. I was genuinely laughing out long for most of the movie with its extreme satire. That being said... the plot is sort of lacking and the liar reveal/emotional climax feels uncharacteristically serious for such in an insane movie. Despite its shortcomings, Bottoms is a hilariously good time and one of the most unique movies I've seen in a while.
Now here's a high school, that you'd love to go to, as anything goes - nothing's taboo, where two single girls, who aren't looking for pearls, start a club to find love, that gets quite misconstrued. There is punching and kicking, a shove with a push, the dialogues quite racy and might make you blush (if you're of a certain age and demographic), a battle of sexes, as pairs become exes, the romance is there, but it just isn't mush. Growing up can be tough if you're different from others, once being a woman kept you under the covers, now the rules of engagement, don't lead to enragement, and a progressive world - just will not be smothered.
Storyline
Did you know
- TriviaMarshawn Lynch was initially unsure about accepting the role. He ended up taking it as a way to rewrite his regret of mishandling his younger sister coming out to him in high school.
- GoofsWhen Hazel places a bomb beneath Jeff's car, Isabel and Josie are seen sitting in the front seats of the van, about to kiss. However, fifteen seconds later when the bomb goes off, Josie and Isabel are somehow in front of the van with the rest of the group.
- Crazy creditsThe first half of the credits features many outtakes and alternate line readings.
- ConnectionsFeatured in eTalk Daily: Episode dated 28 August 2023 (2023)
- SoundtracksPain
Written by Shawn Everett, Tobias Jesso Jr., Nicholas Alex Long and King Princess (as Mikaela Straus)
Performed by King Princess
Courtesy of Zelig Music, LLC/Columbia Records
By arrangement with Sony Music Entertainment
- How long is Bottoms?Powered by Alexa
Details
Box office
- Gross US & Canada
- $12,036,071
- Opening weekend US & Canada
- $461,052
- Aug 27, 2023
- Gross worldwide
- $12,976,079
- Runtime1 hour 31 minutes
- Color
- Aspect ratio
- 2.39 : 1
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