Ash

Went in without having seen a trailer and only having read a brief synopsis, left confused and disappointed. The film is a jumbled aggregations of themes and concepts that have played out in other prominent sci fi films dating back to 2001: Space Odyssey and there are scenes that are straight ripped from others (looking at robot assisted medical procedures). Aside from some trippy fractal visuals that are never really explained, the sets are basic, special effects pretty minimal, and acting pretty bad across the board. The main character Raya is hot, so there is that. Twists and turns at the end kind of clue one onto what's going on, but it's clunky.

As my viewing mate said to me about ten minutes in "This is a very B movie".

Ash (2025) starring Eiza Gonzales and Aaron Paul, is a low budget horror / sci-fi film directed by Flying Lotus. In his debut directoral effort, Flying Lotus delivers a film that is as innovative as a mouldy bologna sandwich. Everything you see here has already been done better, with a much larger budget and crew. I was shocked at the quality of the film, which hearkens back to cheap, Saturday afternoon, B- movie television fare.

If you're looking for film school quality - as in Cinematography 101 - the movie easily hits its mark. There is something very polished about the delivery if you're not expecting professional results. If you're expecting a great, thematically developed, theater-ready and technically excellent feature movie, you're in for a disappointment.

The actors don't have much to do in this film, other than deliver the basics of happiness, anger, confusion and rage. There was likely a bit of time in the makeup chair to create a semblance of Body-horror - but the layers here aren't deep at all.

Post production actually does a passable job with trippy, acid-inspired flashbacks and special effects. The color palette is very Nicolas Winding Refin-inspired. If you need an out-of-body experience, a matinee of Ash might serve you well.

Though I could not enjoy this film, I am definitely interested to see the next project Flying Lotus undertakes - the creative potential is there, once you trundle past the tired, overused tropes, and I saw a fair number of fans in my theater's audience.

If you're looking for blockbuster, transcendental acting, directing and cinematography, skip this movie. If you enjoy tropes exploding from the screen in sloppy, gory, messy and predictable fashion, you may enjoy Ash. I, unfortunately, did not.

5 out of 10 stars.

• Chipper F. Xavier, Esq.

Why is this movie edited so poorly...lts Iike we see the same scene in 4 different ways....they have multiple flash backs for all the same scenes, and by the fourth flashback, you already knew what was going on...this have amazing visuals, and amazing fx, but it just didn't do anything for me...MANDY is a much better film that has depth and visuals to make you invested...this movie just didn't push the needle and by the end, i was bored...the Iast 5 minutes were awesome, everything else besides the visuals were mediocre sadly...Shudder is usually hit or miss so I wasn't shocked to see their name on the opening credits...i went in blind, and left bored.

Otherwise, the movie is tension free and not enough of a plot for a feature. I was looking forward to this based on the mysterious description. After watching it, the movie is an extremely basic sci fi action thriller with robotic horror thriller events that don't work. It's formatted with a plot device that delays the inevitable reveal while establishing atmosphere without any dialogue for large portions of the film.

As such, I found the film relaxing and the script had the quality of a wandering mind. No, I don't think the explanation makes up for it and it feels inappropriate for the film.

It is indeed visually alluring, and I admire their passionate experimentations with the colour palette. Not the visual effects, though, I mean the CGI, as they certainly came off cheap and underdeveloped in some places.

However, if we keep all these flashy technicalities on one side and start judging the movie from a cinematic standpoint, shortcomings begin to emerge to the surface.

First and foremost, there is limited time allotted to explore the 'reason' behind the mysterious circumstances on the ship. Although there are a couple of scenes to depict the 'otherworldly' beings, they fail to meet the inherent necessities of the script.

Secondly, the majority of the characters are merely used as fillers, with Eisa and Aaron shouldering the burden for the most part.

And could someone please tell me why and how they managed to convince Iko Uwais to play such a trivial character?

Was it just to indulge him in a hand-to-hand fight scene that lasted for like two minutes?

Criminal!