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Moonrise Kingdom (2012)

PG-13 | | Adventure, Comedy, Drama | 29 June 2012 (USA)
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A pair of young lovers flee their New England town, which causes a local search party to fan out to find them.

Director:

Wes Anderson
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Popularity
981 ( 24)
Nominated for 1 Oscar. Another 38 wins & 118 nominations. See more awards »

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Cast

Cast overview, first billed only:
Bruce Willis ... Captain Sharp
Edward Norton ... Scout Master Ward
Bill Murray ... Mr. Bishop
Frances McDormand ... Mrs. Bishop
Tilda Swinton ... Social Services
Jared Gilman ... Sam
Kara Hayward ... Suzy
Jason Schwartzman ... Cousin Ben
Bob Balaban ... The Narrator
Lucas Hedges ... Redford
Charlie Kilgore ... Lazy-Eye
Andreas Sheikh Andreas Sheikh ... Panagle
Chandler Frantz ... Gadge
Rob H. Campbell Rob H. Campbell ... Deluca (as Rob Campbell)
L.J. Foley ... Izod
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Storyline

Set on an island off the coast of New England in the 1960s, as a young boy and girl fall in love they are moved to run away together. Various factions of the town mobilize to search for them and the town is turned upside down - which might not be such a bad thing. Written by Production

Plot Summary | Plot Synopsis

Taglines:

A tormenting and surprising story of children and adults during the stormy days of the summer of 1965.


Motion Picture Rating (MPAA)

Rated PG-13 for sexual content and smoking | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA

Language:

English

Release Date:

29 June 2012 (USA) See more »

Also Known As:

Moonrise Kingdom - Un reino bajo la luna See more »

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Box Office

Budget:

$16,000,000 (estimated)

Opening Weekend USA:

$522,996, 27 May 2012, Limited Release

Gross USA:

$45,512,466

Cumulative Worldwide Gross:

$68,263,166
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Datasat | Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

This is the first Wes Anderson film to be shot in the 1.85:1 ratio since Bottle Rocket (1996), and also the first to be shot on 16mm film. See more »

Goofs

An overhead shot of the police station wagon driving across the island shows a smooth top and just the red light. In later shots, the station wagon has a rack on the top and a siren in front of the red light. See more »

Quotes

Sam: It's not an accomplishment badge; I inherited it from my mother. It's not meant for a male to wear, but I don't give a damn.
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Crazy Credits

When the credits for the book cover artists appear on screen, they are also accompanied by the book covers they drew for the film. See more »

Connections

References Summer with Monika (1953) See more »

Soundtracks

The Young Person's Guide to the Orchestra, Op. 34: Themes A.-F.
(1946)
Composed by Benjamin Britten
Performed by New York Philharmonic
Conducted by Leonard Bernstein
Narrated by Henry Chapin (uncredited)
See more »

Frequently Asked Questions

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User Reviews

 
Anderson's finest yet?
25 May 2012 | by generalmazSee all my reviews

In the past, Anderson has whirled us from melancholy dreamscapes set deep below the Pacific to tales of inter-generation betrayals in the name of love, from doomed romances in Paris hotels to deliriously bizarre animal revolutions in the English countryside. But for all the retro-stylings his films so proudly wear, Moonrise Kingdom is Anderson's first period piece - a tender love story set in the sepia-soaked sixties of Anderson's youth that have worked their influence into every one of his movies. It is fitting that this film is his most childlike - not in any way any simpler than his other films (as anyone with an accurate memory of childhood will remember all it's complexities; the way each trivial thing became a nest of thorns), but an accurate and deeply heartfelt depiction of childhood. It is not aiming to be as crushingly dramatic as Life Aquatic or as deeply tragic as Hotel Chevalier, because that wouldn't be appropriate for the story it's trying to tell. Instead, while still bearing Anderson's still surprising streak of black humour (some acts of violence really catch you off-guard; then again, children are violent so hats off Wes), it is largely concerned with the dramas and tragedies of youth. Yes, it is less ambitious than say The Life Aquatic but it also has none of the flaws that that film does (and believe me, I am a massive Steve Zissou fan). Instead, it is perfectly executed, wonderfully acted poignant beauty, with fantastic performances across the board (especially from newcomers Gilman and Hayward). This, while not his most ambitious, is certainly Anderson's most perfect work so far. You owe it to yourself to see this movie.


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