Cast overview, first billed only: | |||
Jonathan Togo | ... | Mark / Rich Washington | |
Emily Baldoni | ... | Shelly Worth (as Emily Foxler) | |
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Aaron Refvem | ... | Young Mark / Rich Washington (as Aaron Revfem) |
Meredith Zinner | ... | Rebecca Washington | |
Edward Asner | ... | Yaakov Washington (as Ed Asner) | |
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Kelly Baugher | ... | Carla |
Danny Alexander | ... | Sgt. Reese | |
Bob Adrian | ... | Officer Al | |
Michael Devine | ... | Desk Officer | |
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Maino | ... | Poet #1 |
Pascal Yen-Pfister | ... | Young Yaakov Washington | |
Amanda Seales | ... | Poet #2 (as Amanda Diva) | |
Bob Johnson | ... | Jamal | |
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Coach Pr | ... | Homeless Man 1 |
Liz Cardenas | ... | Yaakov's Nurse (as Liz Franke) |
The children grow up to become adult versions of themselves. The dynamic stays the same, and the mythology of the prologue residues on the entire story. The evil brother, Mark, is a ruthless businessman whose world of deceit and corruption is on the brink of collapse, and he will fight for it till the end, exposing the most sinister sides of his personality. Richard is the good brother, who, despite his benevolence, is a lost soul. He is an artist and a wanderer, a poet and a lover. Truly, no words can adequately praise John Togo's performance as both brothers. He is simply breathtaking in every single frame he's in, and thank God, he's in almost every one. Not only is he wholesomely convincing as both characters, but he goes above and beyond that. He becomes two people so seamlessly that, not for a single moment was there a doubt in my mind as to who I was watching at any given scene. It's an award-worthy performance, and Togo becomes a leading man of such cinematic proportion, that ... Written by Jon Milken
Found this movie by accident after watching "Coherence" and looking for other titles featuring the gorgeous Emily Foxler (Baldoni). And while she looked amazing in this film, I had to ask myself at the end, was it really worth wasting 1.5 hours of your life for? I'm still debating. Because despite Emily being pure eye candy (and she actually did a decent job given the material she had to work with)... this movie is a slow root canal with no anesthesia. It starts with an interesting premise, sort of, but just progressively devolves into a drawn out boring mess.
What in the world is Ed Asner doing in a film like this? Is he that hard up for work?