The Wall

Hard to write this without spoilers, but here goes...

The Wall is not sci-fi, and it's not what a lot of other reviewers seem to think either. It's not a bad film at all.

Deliberately set in a beautiful but challenging place - the place the central character inhabits, The Wall could be about any boundary between ourselves and the outside world. It's very solitary, very existential, very personal. I rather liked this: an inner journey.

Superbly photographed, The Wall is worth watching just for this.

Speaking personally, to me it's obvious what the sub-text is. I won't name it, but the symbolism is clear: a white crow, two animals giving birth, a single mature woman alone, a companion who can be no more than that. There are other more subtle symbols too.

At root, The Wall is an exploration of extreme isolation, and a realisation of what that really means.

THE WALL is an interesting--though people who want a really tangible storyline and/or fast action and suspense might choose the word "boring"--little film.

How to describe it? Quiet, somber, original, going deep without trying too hard. Fantastic in the most literal sense. Well-acted and well-filmed: The Austrian Alpine scenery, perhaps the single best thing about THE WALL, is just spectacular. Still, there are a number of plot-holes and incomplete threads, things that don't add up and are not apparently supposed to--"Kafkaesque" is another word that kept running through my mind as I watched.

Though it's nothing great, I'm happy to have seen THE WALL and, most of all, am eager to read the original novel by Marlen Haushofer, which, even if it doesn't make completely logical sense, based on the reviews, apparently has more sense of completion.

What a beautiful story this is. I can understand why Julian Pölsler wanted to film his favorite book of Marlen Haushofer, a book that I've now added to my to read list.

The scenery of Austria is so beautiful. Experiencing the country through all the seasons would have been enough for me to watch the movie. But the movie is so much more than just beautiful scenery. The plot made me profoundly think about humanity, nature, life... and if a movie succeeds in doing that it deserves merit. I also like that multiple interpretations can apply to the movie, since it has a certain symbolical feel to it, rather than being a science fiction or utopian/dystopian story. I for example see a lot of parallels with someone who has a depression, not being able to fight an invisible wall, struggling to do everyday tasks in order to survive, feeling alienated.

It's great how the connectedness with nature is illustrated. How we depend on nature and how nature depends on us. How we humans are gods who are able to choose to kill or let live, who can choose to kill the very nature that makes us survive.

Perhaps for people who have read the book, the movie doesn't add more than beautiful scenery and a good acting performance by Martina Gedeck and not to forget dog Luchs, but for me it's definitely worth the 8*.

A woman, a dog, one of the most beautiful places of the world. It's hard to say more about this movie without saying too much.

It has a very well crafted, tight script, well chosen music and great cinematography, both in plain light and in deep darkness, in open land and closed quarters.

There is no waste in this film, everything fits. The acting is nuanced, controlled. The sense of menace is achieved with lighting and camera work. No false scares, no misleadings, no cheap shocks.

This tale of survival and endurance, ultimately about the meaning of humanity, is a moving masterpiece that will stay with me a long time.

I came here after viewing this very odd film and I expected to read an equal amount of bad and good reviews and I wasn't incorrect. I'm sort of in the middle. This is most assuredly not a film for everyone. It has to be classified as science fiction, but it rarely feels like one. A woman goes to spend a weekend in a isolated cabin and is kept captive by some sort of invisible wall or force field of some sort. Rather than sci-fi, this plays like some sort of cerebral meditation on the joys and pain of loneliness, mostly the latter. This film also involves numerous animals and the trapped character's connection with them. Some of this aspect is touching, but some of it is difficult to watch, especially one scene. This is no doubt slow as some have been critical of, but I found quite a bit of it sort of intriguing. It is a one woman show starring the acclaimed German actress, Martina Gedeck. There were a few things that annoyed me, primarily a couple of things not explored, but overall this is an interesting film for the serious minded viewer.