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Oslo, 31. august (2011)

Not Rated | | Drama | 31 August 2011 (Norway)
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One day in the life of Anders, a young recovering drug addict, who takes a brief leave from his treatment center to interview for a job and catch up with old friends in Oslo.

Director:

Joachim Trier
19 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
Anders Danielsen Lie ... Anders
Malin Crépin ... Malin
Aksel Thanke Aksel Thanke ... Terapeut (as Aksel M. Thanke)
Hans Olav Brenner Hans Olav Brenner ... Thomas
Ingrid Olava Ingrid Olava ... Rebekka
Øystein Røger ... David
Tone Beate Mostraum Tone Beate Mostraum ... Tove (as Tone B. Mostraum)
Kjærsti Odden Skjeldal ... Mirjam
Petter Width Kristiansen Petter Width Kristiansen ... Petter
Emil Lund Emil Lund ... Calle
Johanne Kjellevik Ledang Johanne Kjellevik Ledang ... Johanne
Renate Reinsve Renate Reinsve ... Renate
Andreas Braaten Andreas Braaten ... Karsten
Anders Borchgrevink Anders Borchgrevink ... Øystein
Lennart Anker Lennart Anker ... Terapigruppen
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Storyline

Anders is a recovering drug addict in an Oslo rehab clinic. On 30 August, he is given a day's leave to attend a job interview in the city center. After visiting his friend Thomas, he proceeds to his appointment. In the interview, he admits to being a drug addict and storms out. He then wanders the streets of Oslo for the rest of the day and night, meeting, and sometimes confronting, people from his past. The film ends the next day, 31 August. Focusing on the decisions Anders has made with his time off. Written by ikissmymom

Plot Summary | Add Synopsis

Taglines:

Live today, one minute at a time. See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

Norway

Language:

Norwegian | English

Release Date:

31 August 2011 (Norway) See more »

Also Known As:

Oslo, 31 août See more »

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Box Office

Opening Weekend USA:

$9,564, 27 May 2012, Limited Release

Gross USA:

$100,713, 16 September 2012

Cumulative Worldwide Gross:

$1,470,679, 29 May 2014
See more on IMDbPro »

Company Credits

Production Co:

Don't Look Now,Motlys See more »
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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The demolition of the 15-story Philips Building in Oslo is shown early in the movie. The building was destroyed April 30 2000. See more »

Quotes

Anders: Look at my life. I'm 34 years old. I've got nothing. I don't want to start from scratch.
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Connections

Version of The Fire Within (1963) See more »

Soundtracks

I've Been Losing You
Written by Pål Waaktaar
Performed by A-Ha
© 1986 Warner Bros. Records / Sony ATV Publishing
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User Reviews

 
Beautiful, true and devastating
5 November 2011 | by maddo16See all my reviews

The most hard-hitting and resonant film I've seen in a long time, Oslo August 31st sets itself up with serene, fuzzy home footage and tales of blissful memories spent in the titular city of Oslo only to cut to the bleak life of Anders, a former heroin addict on his first day of life out of rehab. Searching for a meaning and a purpose in this new life he finds little in his friends' bourgeois city routines, which he neither desires nor feels he could achieve anyway, and their claims that "it'll all get better" fail to move a mind constantly probing and analysing the reality of his situation.

He soon undergoes an intense conversation in a park overlooking the city with his closest friend, wherein Anders pours out his thoughts of the time the two have spent apart, and the precision of their rapport matched with the lead's acting make the whole scene feel horribly real.

Anders wanders the often-empty city like a ghost, sitting in a café surrounded by the hollow dreams of others ("Plant a tree. Swim with dolphins. Write a great novel") and dwelling on the weight of his own existence. In two minds whether to leave the city, increasingly desperate and always beautifully shot, we follow him through the night until sunrise, when Anders appears to us in a sequence at his most unpredictable.

Undeniably disturbing, yet intimate and tender, this is a film that already feels close to my heart, one unafraid to bring up difficult questions and brilliantly able to provoke an idea of the absurdity of it all.


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