A portrait of the bloody dynasty that spawned a pope, Alexander VI, as well as the role model for Machiavelli's "The Prince," his son Cesare Borgia, and a legend of femme duplicity, daughter Lucrezia Borgia.
It was the age of Da Vinci and Michelangelo, of enlightened creativity and unparalleled intellectual achievement. But it was also the age of Machievelli, of rampant lawlessness, incessant war and unspeakable depravity. At the heart of the world order was the Vatican, the arbiter of conflicts between kingdoms and empires. And at the center of the Vatican was a man whose quest for power would propel him to seek the ultimate prize, the holy see of Rome. He was a man whose name would become synonymous with ruthlessness, and whose reign as pope would be remembered as the most infamous chapter of the history of the Catholic church -Rodrigo Borgia. His four children -Juan, the oldest, a prideful, lazy, unscrupulous sexual predator, Cesare, a young man torn between a faith that was not his calling and his dark violent nature, Lucretia, a young girl discovering the secret power that a women's sexuality holds, and Goffredo, an innocent child who would come of age in a family riven by conflict- ...Written by
Nearly all the principal actors are using their natural accents (be they American, Russian, Czech, Italian, etc.) with a few notable exceptions. Both Mark Ryder (Cesare Borgia) and Diarmuid Noyes (Alessandro Farnese) are Irish but use English accents on the show. Even Stanley Weber (Juan Borgia) moderates his French accent, though he doesn't sound as English as his on-screen brother. This is because the series was intended for dubbing into European languages (French, German etc.) See more »
In the first season, Giulia repeatedly threatens to send Pantisilea to Tierra del Fuego if she does not continue to spy on Lucrezia. The time frame is 1493-1494. Magellan is credited as the first European to visit Tierra del Fuego (and give the area its name) in 1500. The historical Pantisilea actually died before that date. See more »
This show is probably confusing a lot of people. Showtime just did "The Borgias" with Jeremy Irons, but this isn't it. It is an original production by Canal+, which appears to be like a European version of HBO.
Despite being made by a French company, the show is totally in English, and stars an American. What's most surprising, though, is how tame the Showtime series seems in comparison to this.
Despite being on "Premium Cable" in America, the Showtime series is very TV-14. The violence is tame, the sex is mainly suggested, and there is very little foul language. A few cuts and it could easily air on any network in the US.
"Borgia", on the other hand, feels much more like HBO's groundbreaking series "Rome". The violence is brutal, graphic and unflinching. Sex is frequent, full frontal nudity a matter of fact. I suspect this is an authentic depiction of life in Rome around 1500.
Speaking of "Rome", the first thing I noticed, besides visual similarities, is that Anne Thomopolous is an executive producer. That name seemed very familiar, and sure enough, she was one of the producers of "Rome". I'd call that a good sign.
She's not alone in the behind the scenes talent, two other noteworthy names pop up: Tom Fontana and Barry Levinson. Levinson is a well known Hollywood director, with credits like "Rain Man" and "Sleepers". Fontana is the creator of HBO's "OZ", the first hour long drama produced by that company. One might argue that Fontana invented the "R-rated premium cable TV series" that is so popular now. He paved the way for stuff like The Wire, Rome, Dexter, and The Sopranos.
That's a pretty big talent line up for a European TV series. In terms of name actors, however, this show unfortunately can't compete with Showtime. They have Jeremy Irons playing Borgia, where this show has John Doman.
Doman is a good character actor, and his performance as the sarcastic, mean-spirited police captain in "The Wire" is legendary. That said, he feels very out of place in this otherwise extremely authentic looking show, mainly due to his unapologetic American accent. It's like Kevin Costner as Robin Hood, the producers apparently just decided to suspend disbelief and dump a modern American accent in the middle of the Vatican. You get used to it, but it's a little off-putting at the start.
The kid playing Cesare Borgia is capable, but there are times he seems to be pushing into melodrama territory, particularly any time he gets angry. The guy in the Showtime series was cool as a cucumber, yet viscous and brooding at the same time.
The men at least aren't up to Showtimes standards, but the women are a different story. Lucrezia and Julia Farnese are both much better in this show than Showtime's. Julia is a total sex goddess in this, someone who is used to getting her way by any means necessary. And Lucrezia is her young counterpart, inexperienced but curious. The two women both nail the parts and are totally convincing, more so than the depictions of these characters on Showtime.
I recognized a few other actors, most notably the actor who plays Samwell Tarly in HBO's "Game of Thrones" as a young Cardinal. The "bit parts" are played by unknown Europeans, and are usually great.
I won't spoil the plot, but it is basically the same as "The Borgias": The rise to power of a corrupt pope and his family. Of course, is it based on actual history, so spoilers are easy to come by if you want them. The main difference between the plotting of this show and the Showtime version is that this show manages to remain interesting all the time, where I felt it was somewhat of a struggle to get through the Showtime series. I just didn't care about anyone except Cesare and Rodrigo in the Showtime version, all the other characters were boring.
This version places lesser characters like Julia Farnese and Juan Borgia in the limelight as well, so we actually spend time with them away from the Pope. Additionally, the Showtime series concentrated on the Pope's arch enemy Della Rovre to a much greater degree, where this show seems focused on the family and their friends. I find that to be much more effective, since the enemy is now viewed through their eyes only, the audience is essentially placed on the Borgia side of the table permanently. It's like you're part of the family.
I would highly recommend this to any fan of historical drama, with a special emphasis on HBO's "Rome". This is almost like an unofficial successor to it, it has the same feel of authenticity.
"Borgia" is available on Netflix instant watch, and as far as I know this is currently the only way to see it in the US.
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