As a writer stymied by past success, writers block, substance abuse, relationship problems and a serious set of father issues, Elliott's cracked-out chronicle of a bizarre murder trial amounts to less than the sum of its parts. Not long into the 2007 trial of programmer Hans Reiser, accused of murdering his wife, the defendant's friend Sean Sturgeon obliquely confessed to several murders (though not the murder of Reiser's wife). Elliott, caught up in the film-ready twist and his tenuous connection to Sturgeon (they share a BDSM social circle), makes a record of the proceedings. The result is a scattered, self-indulgent romp through the mind of a depressive narcissist obsessed with his insecurities and childhood traumas.Written by
Second film James Franco has starred in that was released by A24, his first one was (Spring Breakers) See more »
You remember when you taught me to drive? I was 14. You let me drive out to Warren park in a '69 mustang. I loved that car. You used to take me out, let me drive. I remember feelin' so happy and free, full of hope and potential.
I don't know why you always told people I taught you to drive in the mustang. It was a red 1968 Oldsmobile Delmont convertible, in Warren park in the parkin' lot. You were belligerent, and you were a terrible driver. So we only did it once.
Wanna go for a ...
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"Sun Arise! (An Invocation, An Introduction)
Written by Phosphorescent
Published by Warner-Tamerlane Publishing Corp.
o/b/o Itself and Calldown Music
Performed by Phosphorescent
Courtesy of Dead Oceans
By arrangement with Bank Robber Music See more »
Thought provoking film about personal narrative
The film is about personal perspective and how far we can delude ourselves about who we are and the events which created us. For such a tricky topic, I thought they did an excellent job. The catalysts and personal revelations were believable, and I found the pacing exactly right for this type of film.
With each scene, the film both offers us information about the characters and invites us to question what we've been told. Finely nuanced contradictions kept me fascinated, waiting for explanations. When answers were presented, they were satisfying but also left me with the understanding that the story was far more complex than we could ever know, that truth was still and would always be subjective, and that the question of who are the villains and who are the victims could only be answered: "All of us."
I don't know that it will appeal to everyone, but if you're a fan of psychological dramas (not thriller, just drama), you will likely enjoy this as much as I did.
Beware of the resulting soul-searching you might experience about who are the heroes and monsters in your own life story.
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