When a body is found on the bridge between Denmark and Sweden, right on the border, Danish inspector Martin Rohde and Swedish Saga Norén have to share jurisdiction and work together to find the killer.
A seemingly cold but very passionate policewoman goes head to head with a seemingly passionate father who is in fact a cold serialist in this procedural out of Belfast. The only thing they share is their common complexity.
During a snowy Christmas season in Sweden, psychologist and profiler Inger Johanne Vik finds not only herself but also her autistic daughter drawn into the investigation of a number of disturbing deaths.
Dicte is a dedicated reporter and refuses to give up before she has her story. Her stubbornes gives her problems immediately with the policeman John Wagner, and they often get into clashes with each other.
Season 2 begins 13 months after the events of the first season. A coastal tanker leaves the Öresund waterway and is headed straight for the Øresund Bridge. When the Coast Guard board the ship they discover there is no crew, and three Swedish and two Danish youths are chained below deck. Saga Norén, County Police, Malmö, is put in charge of the case and contacts Martin Rohde, who is still haunted by the death of his son. Soon it turns out the chained youths were just the beginning... Someone wants to direct our attention to the changing climate and the use of our planet's resources, and will stop at nothing to do it. It all turns into a race against the clock to prevent a disaster where many lives are at stake...Written by
The names in the credits of the third season, along with the Swedish and Danish titles, were separated by three lines, indicating the third series (they had been separated by one line in the first, and two in the second series). See more »
In the opening credits some of the traffic footage is mirrored causing the traffic to be driving on the left instead of the right side of the road and taking the roundabout in a clockwise fashion instead of counter-clockwise. See more »
The opening and closing credits appear in both Swedish and Danish, including the series title and descriptive character names. See more »
So far (episode 3) "Bron" provides all the classic criminal genre elements with a modern and smart touch. The characters and actors fit their roles well (albeit being caricatures of the genre). I especially enjoy the humorous and feminist take on Saga Norén's character.
For me all these little stylistic touches just add to the enjoyment. And the plot elements fit an interconnected Scandinavian/European reality without seeming overdone or simplified.
I'd say this is one of the most exciting crime dramas of the decade, even since its function is not intended to be a long-running series with one main protagonist. I like the "issues" approach of "Bron" more than the classic European detective drama we've seen so far in the 2000s.
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