When a body is found on the bridge between Denmark and Sweden, right on the border, Danish inspector Martin Rohde and Swedish Saga Norén have to share jurisdiction and work together to find the killer.
A seemingly cold but very passionate policewoman goes head to head with a seemingly passionate father who is in fact a cold serialist in this procedural out of Belfast. The only thing they share is their common complexity.
During a snowy Christmas season in Sweden, psychologist and profiler Inger Johanne Vik finds not only herself but also her autistic daughter drawn into the investigation of a number of ... See full summary »
Season 2 begins 13 months after the events of the first season. A coastal tanker leaves the Öresund waterway and is headed straight for the Øresund Bridge. When the Coast Guard board the ship they discover there is no crew, and three Swedish and two Danish youths are chained below deck. Saga Norén, County Police, Malmö, is put in charge of the case and contacts Martin Rohde, who is still haunted by the death of his son. Soon it turns out the chained youths were just the beginning... Someone wants to direct our attention to the changing climate and the use of our planet's resources, and will stop at nothing to do it. It all turns into a race against the clock to prevent a disaster where many lives are at stake...Written by
The first series was broadcast on the Swedish SVT1 and Danish DR1 during the autumn of 2011, and on the United Kingdom's BBC Four the following spring. See more »
In the opening credits some of the traffic footage is mirrored causing the traffic to be driving on the left instead of the right side of the road and taking the roundabout in a clockwise fashion instead of counter-clockwise. See more »
The opening and closing credits appear in both Swedish and Danish, including the series title and descriptive character names. See more »
The Wire was gritty, politically interesting and great TV. Dexter had beautifully rounded characters; every one unique and interesting, quality acting and intriguing moral questions and there have been several other landmark quality TV productions.
Bron or Broen absolutely takes the cake.
I've never felt so fully immersed, so entertained and so gripped by film or TV. The complex and gradually emerging storyline, personal interactions, realistic action, the landscape scenes that demand freeze-frame for a second admiring look, the simply stunning acting that portrays the unusual but lovable Saga (many of who's comments trod a knife edge between humour and truth), beautiful music perfectly placed, characters you wished you knew. It just goes on... inspiring... genius.
Written after episode #9 Now I've seen episode #10 I'll have to revise my ten stars to eleven. Don't miss this.
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